【作者】 刘超；

【导师】 刘崇德；

【作者基本信息】 河北大学 ， 中国古代文学， 2013， 博士

【摘要】 徽班进京后，极大地发展了“堂子”这种娱乐场所，使得乱弹小戏和后来进京的楚调都迅速的得到了社会上层人群的接受，为皮黄的发展奠定了基础。同时，徽班带来的乱弹与京城的昆曲长时间共存，促进了乱弹的成熟。昆曲进入宫廷后，发展出很多宫廷大戏，在舞台调度和场面布置上取得了非常丰富的经验。通过宫廷艺人的散出和王府班的成立，宫廷大戏的编排经验得以外传，尤其是在武戏的编制方面，对正在形成的京剧产生了重要的影响。在长期的昆乱共演过程中，大量的昆曲曲牌被移植到京剧中，极大的丰富了京剧的音乐体系。皮黄艺人也翻改了大量的昆曲剧目，丰富了京剧的表演体系。民国年间，文人加入艺人创作团队，翻改了大量的传奇作品，提升了京剧的文化底蕴，促使京剧达到了鼎盛发展的阶段。梅兰芳从昆曲中吸取了身段舞美的特长，并形成了雍容大雅的梅派特色。程砚秋则进一步吸收了昆曲唱腔的特点，发展了京剧的行腔吐字技巧，二人是京剧的发展又上了一个新台阶。更多还原

【Abstract】 Based on the document of Jingju-opera, I noticed that the Kunqu-opera is notreplaced by the Jingju opera by the1790s. Anhui troupes, greatly developed the"Tang Zi" the entertainment, make Luantan opera and the later Beijing Chu melodyquickly accepted the upper society people, laid the foundation for the development ofskin. At the same time, Luan and Beijing huiban caused by long time coexistence ofKunqu Opera, promote Luan mature.Kunqu Opera entered the palace, the development of a lot of court drama, havevery rich experience in the stage scheduling and scene arrangement. Founded bycourt artists from the class and palace, palace operas composition experience to therumor, especially in the military establishment, has an important influence on theforming of Peking opera.In the long process of Kun mess together, a lot of Kunqu Qupai is transplantedto the Beijing opera, greatly enriched the Peking opera music system. Yellow artistsalso turn a lot of Kunqu Opera repertoire, rich performance system. The Republic ofChina, literati joining artists creative team, turn a lot of legends, lifting the operaculture, prompting Beijing Opera reached its peak development stage.Mei Lanfang drew the figure dance specialty from Kunqu Opera, and theformation of a display poise and refinement of Mei school characteristics. ChengYanqiu further absorption characteristics of Kunqu opera aria, opera tune articulationskills development, two is the development of Beijing Opera and to a new level.更多还原