【作者】 徐杰；

【导师】 金健人；

【作者基本信息】 浙江大学 ， 文艺学， 2012， 博士

【摘要】 本文主要从“语境”范畴入手,将“语境”理论引入文学研究之中,提出对“文学语境”的理论研究应该被作为兼容文学内部研究和外部研究的理论范畴。由于文学研究的自律论和他律论的分歧,加上文学现状存在的日常生活审美化,使得“文学语境”在解决文学研究的困境尤为重要。通过综述,我们可以看到现在的“文学语境”理论之中还存在无边界化、相对主义和实体构成论的问题。因而,试图在解决以上问题的基础上,建立一套文学语境理论的机制。这项研究的理论资源主要来自于语言哲学界的“语言”向“言语”的转向。第一章、“语境研究与语境”部分,旨在从整个人文科学视野的关照下来梳理语境思想在哲学界(强调科学性和正确性的英美语言分析哲学与强调非逻辑性和非工具性的欧陆语言哲学家们两派的语境思想)、语言学界(语境的客观现在性、认知性和动态性三种研究模式)和文化理论(语域作为小语境和文化研究)之中的理论精髓,批评性地考察语境的本质、性质和结构特征,并分析语境研究存在的困境,寻找出解决的出路。第二章、“文学语境的发展历史和存在方式研究”部分,旨在从历史角度分析文学语境理论在社会历史批评派、新批评派和建构学派与解构学派思想之中的表征,发现文学语境存在主体维度缺失和无边界化的问题,并从不同维度给出了问题的解决方案。同时,在历史总结基础上提出“文学语境”的内涵性概念、关系型界定,从文学语境的本体言说、实践表征和功能指向三个维度出发,探求其理论品性和实践属性。第三章、“文学语境的维度分析及其在文学文体的表征”部分,旨在从空间层域(文学作品语境、文学情景语境和文学文化语境)角度对文学语境进行静态立体研究,并吸收了韩礼德语境理论,从而将三个层域有机结合起来；从时间生成(文学语境诞生初期、层域结构形成期和成熟期)分析文学语境的形成过程；以文学文体(诗歌、戏剧和小说体例)作为文学语境的实践,分析出各自对应的语境特征,并从这种特征中印证了语境自身的理论规律。结语、旨在对文学语境理论建构进行总体归纳,并反思文学语境的理论品性。更多还原

【Abstract】 Starting from the study of paradigm "context", this dissertation introduces contextual theory into literary study, and insists that the "literary context" could exist as a thought to connect internal research and external research of literature. Because of the difference of Self-discipline and Heteronomy in literary study, plus the generalization of literature, the study of "literary context" becomes more particularly crucial in solving this plight of literary studies. Through the review, we find that there are three problems:Boundless, Relativism and Constructivist in the study of "literary context". Therefore, after solving these diplomas, this paper attempts to establish a literary context theory, which absorbs the essence from the turn of "language" to "discourse" in language philosophy.The First Chapter,"Contextual Study and Context", is designed to comb contextual thinking in philosophy (the newly developed linguistic schools and European language philosopher), linguistics (objective, cognitive, and dynamic context in three models) and cultural theory (Register as a small context and cultural studies). Based on these study, we can examine the essence, nature and structure critically, and analysis of the plight of "Context Research" to find a way out.The Second Chapter,"The History of Literary Context Theory and It’s Way of Presence", is designed to analyze the representation of literary context in Social history Criticism, New Criticism and Constructuralism and Deconstructuralism. From that, we find that there are two main plight, that is the default of subject position and boundless in literary context study. So according to the problems, I find a effective methods to deal with it. Meanwhile, I bring about the conceptual connotation and the relational definition of the literary context, and explore its theoretical character and practical properties from three dimensions, that is ontology, practice and function.The Three Chapter,"The Dimensional Analysis of the Literary Context and It’s Representation of Literary Stylistics", is designed to study literary context statically and three-dimensionally from spatial levels(the context of literary works, literary situational context and literary cultural context), then connect three of them through Hallidayan context theory; analyze the process of literary context’s generation(the early time, formation and maturity);study the respective contextual features in literary stylistics (poetry, drama and novel).In the last part, we summarize the whole paper’s content about literary theory and reveal the character of the literary context.更多还原