【作者】 王红梅；

【导师】 金柄珉；

【作者基本信息】 延边大学 ， 亚非语言文学， 2011， 博士

【摘要】 韩中两国当代文学是沿着各自的轨迹平行发展着的。在笔者的研究过程中,发现大多数学者把精力投入到了研究韩中两国古典文学作品的比较中了,而对于当代文学的比较研究相对很少。专注于当代韩中婚姻爱情小说研究的,也为数不多,可以说对韩中当代文学的比较研究还是一个薄弱环节,尤其对于韩中两国当代女性作家作品的比较研究,尤显单薄。因此,韩中两国当代文学的比较研究已经成为韩中文化研究总格局中有研究潜力和开拓价值的领域之一。对于韩中文坛当代文学的比较研究、尤其是韩中两国当代女性作家作品的比较研究,不但有着十分重要的意义,也必将产生深远的影响。基于这些认识,本论文以韩中两国当代具有代表性的女作家梁贵子、池莉的婚姻与爱情小说为主要研究对象,考察两国的婚姻与爱情主题,剖析两国民众的道德观、人生观以及价值观。挖掘历史根源,封建礼教、婚姻制度以及男女两性的生理差异,理性的分析男性与女性的关系,试图找到婚姻与爱情生活中的最佳契合点,通过对文本进行研究,找到韩中两国婚姻与爱情的同与异,从而揭示出婚姻与爱情的深层内涵及内在动因,为我们今天处理韩中两个国家、民族间的文化关系提供了相互了解的平台。本论文主要以马克思主义美学的历史批评与比较文学中的平行比较研究方法统摄全篇,通过第一章序论：研究对象、研究现状、研究方法、研究目的和意义；第二章梁贵子与池莉婚姻爱情小说文化背景比较：社会发展度比较、家庭认同感比较；第三章梁贵子与池莉创作道路比较：梁贵子与池莉的文学梦想与人生境遇比较、梁贵子与池莉婚姻爱情小说的创作轨迹及其特征比较;第四章梁贵子与池莉婚姻爱情小说的人物形象比较：梁贵子与池莉婚姻爱情小说男性人物形象比较：主宰——男权主义形象、背弃——堕落男性形象、回归——英雄主义形象；梁贵子与池莉婚姻爱情小说女性人物形象比较：容忍——传统女性形象、反抗——愤怒女性形象、妥协——智慧女性形象；梁贵子与池莉婚姻爱情小说人物形象特点比较；第五章梁贵子与池莉小说“婚姻、爱情、烦恼”主题比较：婚外情：爱情对婚姻的背叛、性解放：精神与道德底线的突破、不谈爱情：维系婚姻的最佳途径、烦恼：婚姻爱情的主旋律；第六章梁贵子与池莉婚姻爱情小说的叙事艺术比较：独特的叙事视角、文本结构比较、新写实的艺术手法；第七章结论等七大部分,试图解决如下问题：韩中两国婚姻与爱情的文化背景是如何演变的?女性在要求自身解放的同时是如何与男性霸权主义做斗争的?在父权文化背景下如何使女性找到位置?韩中两国的男女两性在处理婚姻与爱情的方式上有何异同?男人与女人如何相处才能得到幸福和谐?深究其产生的思想根源与历史根源。我们的回答是：在同一个地球,同一个梦想的今天,无论是韩国还是中国,男人还是女人,要以“求同存异”为根本出发点,允许对方在平等对话中发展自己,多元并存,相互作用,共同发展。反对对抗,主张对话。使韩中两国人民从民族性、世界性的角度来深层次的思考婚姻观、爱情观、价值观与幸福观,从而进一步推动两国的思想文化交流,本论文所选择的梁贵子与池莉两位女作家是20世纪80年代登上韩中两国文坛并在文学界引起轰动的作家,同时处在国家经济高速增长、现代化产业体制确立、西方式现代城市发展、大众文化膨胀,物质中心主义观念扩大的社会环境下,同样把平民阶层作为自己作品主要的研究对象,并着重的把婚姻与爱情作为小说的主题,探索男性与女性之间的矛盾与冲突。两位作家虽然国籍不同,生长环境不一,创作道路相异,但同为女性、同受儒家文化熏陶、同受西方文论影响的她们,在婚姻与爱情的理解上有着很多的相似。如何引导大众经营自己的婚姻与爱情,使男人与女人在婚姻与爱情中找到适合自己的位置；剖析男权主义与女权主义的斗争是否适合婚姻与爱情的持久与稳固；使女性在获得解放的同时也获得男性的共鸣,找到婚姻与爱情的最佳契合点。这些是两位作家作品的主旨。研究表明,韩中两国文化在历史上都属于东亚汉文化圈,同时又都处在儒家文化的浸染之下。两种同根但也存在许多差异的文化在千余年的交流中不断融合,彼此认同。尤其在研究过程中对于婚姻与爱情生活当中男人与女人形象的分析,使得我们研究韩中两国当代婚姻与爱情问题更加完整,更加具有说服力,也更接近我们所要追寻的事实本相。对她们的研究,将会使读者从中吸取更多的文学精髓,从而对于韩中两国当代文学的发展有更深一层的认识。更多还原

【Abstract】 Korean and Chinese contemporary literature develops parallel along each track. In the study of this paper, it has found that compare on Korean-Chinese classical literary works has been deeply studied, but comparative study on contemporary literature has hardly seen. Especially, the study on Korean-Chinese marital love novels has even been little. Thus the study on Korean-Chinese contemporary literature, as a weak study field, has become the most potential and valuable researching aspect in the overall Korean-Chinese researching system. That means a comparative study on the Korean and Chinese contemporary literature, especially on the contemporary female writers’works, is worth doing because of its importance and far-reaching influence.Based above understanding, this paper makes the representative contemporary female writers Liang Guizi and Chi Li, whose marital love novels as the main studying object so that marital love theme can be probed profoundly, and ordinary people’s morality, philosophy and values will be analyzed. For the sake of discovering the best connection in the marital love life, its historical root should be explored, including feudal code, marital system, and physiological difference between the male and the female, as well as a rational analysis of their relationship. By the study of the text, the paper has discovered the similarity and the difference of Korean-Chinese marriage and love, and then reveals its deeper connotation and internal cause. . Furthermore, it provides a mutual understanding stage for dealing with the cultural relationship between Korean and China, Korean nationality and Han nationality.The paper includes seven chapters, which makes historical criticism in Marxist aesthetics, and parallel compare in comparative literature as its main researching methodology.Chapter One, Introduction, contains studying object, situation, methodology, purpose and significance.Chapter Two,cultural background comparison between Liang Guizi and Chi Li marital love novels, consists of social development extent contrast and family self-identity sense contrast.Chapter Three, creating path comparison between Liang Guizi and Chi Li, involves literary dream contrast, life condition contrast, and creating trace and its feature contrast as well.Chapter Four, figure image comparison between Liang Guizi and Chi Li marital love novels, covers male character image contrast:dominance——androcentrism image, betraying——degradation. male image, and flyback——heroism image; female character image contrast:tolerance——traditional female image, rebellion wrathful female image, and compromise——wisdom female image; and figure image feature comparison between Liang Guizi and Chi Li marital love novels.Chapter Five, "marriage, love, annoyance" theme comparison between Liang Guizi and Chi Li marital love novels comprises:extramarital affair; love falling away from marriage, sexual liberation; spiritual and moral horizon breakthrough, no love; the best track to maintain marriage, trouble; marital love melody.Chapter Six, narrating art comparison between Liang Guizi and Chi Li marital love novels, is made up of unique narrative perspective、text structure contrast and artistic means of new factual writing, and Chapter Seven, Conclusion as well.This paper aims to answer the following questions:how the cultural background of marital love in Korean and China has evolved; how the female fight against the male androcentrism while demanding self-liberation; how the female find their position under paternity; as to the manner of managing marriage and love, what similarities and differences are for the female and the male in Korean and China; what the female and the male should do to live a happy and harmonious life. Exploring the conceptual and historical roots, my proposals are:no matter Korean or China, male or female, in the one world, one dream earth, should develop from equal negotiation together based on seeking common ground while putting aside differences. So that Korean and Chinese people can think about marital view, love view, worth view and happy view deeply from the national perspective or the universal perspective; and can further push the ideology and culture communication between two countries.In this paper, Liang Guizi and Chi Li are both eminent writers in Korean-Chinese literary field in the 1980s. During that period, their social background is similar:the fast economy growth speed, the establishment of the modernization industrial system, modern city development and materialistic concept expansion. Under the same social background, both female writers treat common people as the main studying object in each works, and put emphasis on marital love as the theme of their novels to probe into the contradiction between the male and the female. Two writers, both edified by Confucianism and effected by western literary review, are much similar to the understanding of marriage and love, despite of their different nationality, grown-up environment and creating track. And these two writers’theme reflected from their works is:to guide the male and the female to be in a comfortable and happy state in each marriage and love by the instructions of marital love management; to analyze whether the campaign between androcentrism and feminism is beneficial for permanent and stable marriage or not; to make the female find out the best connection between marriage and love while gaining self-liberation and identifying with the male.The study indicates that Korean culture and Chinese culture in the history both belongs to "East Asia Han cultural circle", and has been under the edification.of Confucianism. Both merged gradually and recognized mutually during the process of communication in the thousands of years. Especially in the process of study, through the analysis of the male image and the female image in the marital love life, the study on Korean-Chinese contemporary marital love has been more integrate, credible, and truthful. In conclusion, readers can know about more literary essence, and can make much deeper sense of Korean and Chinese contemporary literature development by the study on the female writers.更多还原