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言文互动:现代汉语与现代文学的关联性研究

The Interaction of Language and Literature: Relevance Study on Modern Chinese and Modern Literature

【作者】 刘琴

【导师】 吴秀明;

【作者基本信息】 浙江大学 , 中国现当代文学, 2007, 博士

【摘要】 过去的现代汉语与现代文学关联性研究深植于语言“器道”论来考察文学的经验世界,不是汉语意义上的,确切地说,它是普遍意义上的语言与文学的关系,和现代汉语意义上的语言与文学的关系,应该是两个层面的问题。本论文在对现代汉语和现代文学的动态对话关系的把握中,力图在现有研究成果的基础上用翔实的资料和充分的论证进行这样几方面的工作:一、从现代汉语和现代文学的特殊出生出发,把“现代”和“西方”作为汉语和文学在创制和发展期间的时空背景,在考证史实的基础上对现代汉语意义上的文学与语言间互动关联进行论述。二、在具体论述中,虽然也从语言发生学视角进入中国现代文学历史生成叙事,却试图跳出语言“道器”论的话语单位,将描述行为从语言和思想这两个畛域的交聚中暂且孤立出来,力图在现代文学发展的不同坐标系上对言文互动所形成的口语化、欧化和诗化这三种基本话语类型进行论述。三、和以往专注于现代汉语草创期的文学语言研究相比,本论文对言文互动中的现代汉语文学语言的考察,进一步延伸到现代汉语的发展期。论文主体由四个部分组成:第一部分“现代汉语与‘文学之文’”,在历史考察口语化、欧化、诗化这三种言文互动的基本话语类型之后,对缠绕着现代汉语与现代文学的“体”和“用”以及“应用之文”和“文学之文”这两个彼此关联的根本问题进行了历史清理。第二部分“风格的确立:口语与书面语”,旨在考察在建设“言文一致”的“语言共同体”的话语实践中,方言口语进入书面语文学系统的语言实践行为,进而延伸到接受和传播畛域中来。第三部分“资源的攫取:欧化与白话”,从汉语文学“欧化”的阶段论与意识形态的陈述切入,重点阐述汉语“欧化”这一语际意义旅行的中介——翻译作为古典汉语文学世界中的异端话语对可能性条件的充分利用,并对鲁迅的语言主体经验的双重言说作出追问。第四部分“质地的生成:古典与现代”,则在对20世纪中国文学的诗性作出相关考察之后,从诗歌到小说的文体转换和汪曾祺的诗性表达这两个不同层面对现代汉语文学的诗性空间里的互动关联作出了陈述。

【Abstract】 The previous research on the relevance between modern Chinese and modern literature concentrated on exploring the literary world of experience by means of the theory of "Device and Ontology" which ignores the sense of Chinese language. That is to say, it displays the relationship between language and culture from two aspects, one in the universal sense, and the other in the sense of modern Chinese language. Through the grasp of the dynamic relationship between modem language and modern literature, the dissertation is intended to illustrate the following viewpoints with the aid of the current research findings, and sufficient data and argumentation. First, from the particularity of modern Chinese and modern literature and with "modern" and "western" background in the creating and developing periods of Chinese language and literature, the interactive relationship between language and culture in the sense of modern Chinese will be expounded on the basis of the textual research on the history. Second, three basic sentence patterns which formed in the interaction between language and literature, such as colloquialism, westernization and poetizing will be probed into according to the different reference frames of the development of modern literature. During the probe, the author attempts to skip over the language units of the theory of "Device and Ontology" and separate the descriptive behavior from the language and thought temporarily, though the narration is developed by involving the history of Chinese modern literature from the perspective of linguistics. Third, compared with the former literary language research focusing on the creating period of modern Chinese, the dissertation furthers the exploration of modern Chinese literary language in the interaction between language and literature into the developing period of modern Chinese.The dissertation is divided into 4 chapters. Chapter 1 Modern Chinese and Literary Works is intended to explore the three basic sentence patterns of colloquialism, westernization and poetizing which formed in the interaction between language and literature and then clarify the issue of "practical writing" and "literary writing" which are closely related to modern Chinese and modern literature. Chapter 2 Establishment of Style: Spoken and Written Language aims at exploring how the spoken language permeates into written literary system and even into the field of reception and media, when the "Language Community" representing the harmony of language and literature is established .Chapter 3 Acquisition of Resources: Westernization and Colloquialism, with the perspective of ideology of Westernization in Chinese literature, will elaborate translation, the medium of Westernization,and ask the contradiction between speaking and meaning of Lu Xun’s language subjectivity of experience .Chapter 4 Generation of Nature: Classical and Modern Characteristics, after the exploration of poetic feature of Chinese literature in the 20th century, will present the interactive relation between the stylish transference from poem to novel and Wang Zengqi’s poetizing and the poetic space of modern Chinese literature.

  • 【网络出版投稿人】 浙江大学
  • 【网络出版年期】2007年 04期
  • 【分类号】I206.6
  • 【被引频次】5
  • 【下载频次】990
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