【作者】 韩冷；

【导师】 逄增玉；

【作者基本信息】 东北师范大学 ， 中国现当代文学， 2006， 博士

【副题名】海派小说性爱叙事

【摘要】 本文试图通过性爱问题的考察,呈现海派小说中现代性与传统性的样态及冲突,对海派作品的现代性意义进行重新阐释。 论文的上篇,主要分析海派小说中现代性特质的性伦理现象。首先,通过分析中国古代房中术中性交的战斗隐喻,以及花木兰与河东狮吼的民间故事,指出中国性文化中不具有两性战争的原型。中国文化中典型的两性模式是男尊女卑的等级划分。真正具有现代意义的,两性战争的书写,更多地是在女作家笔下出现的。言说女性长期被压抑的生存处境,成了女性走向反抗的第一步。 其次,论文指出,男性文本中女性常常被异化为“天使”与“妖妇”两个绝对对立的极端。妖妇是一个阿尼玛形象——她象征着男人的梦中情人,蝴蝶、猫、狐狸是妖女形象常见的几种喻体。女作家笔下,妖妇往往内藏着天使的心肠,女作家以自己大胆而真实的写作,将妖妇从男性的噩梦中拉回到现实,从而解构了原始意义上妖妇的涵义,并且实现了妖妇向天使的能指转化。同时,女性作家也必然会在其文本中,构想理想男性形象的两极。笔者认为苇弟与凌吉士是相对于天使与妖妇划分的男性形象两极的典型。由于中国传统小说中,硬汉(英雄)形象的非性化特征,所以他们没有走进女性的情感世界。 再次,论文对同性恋文学做以界定。海派作家笔下,女同性恋行为的书写,具有现代性色彩。而男同性恋行为的书写,则有古代社会“比顽章”的遗风,不属于性伦理方面的现代性表达。 最后,论文指出,在海派作家笔下,爱情的终难圆满往往成了一种文化心态,爱情的水月镜花感受与20世纪中国知识分子寻梦失败的文化感受是一样的,这种情绪与整个社会任务没有完成的幻灭感也是一致的。 性文化作为社会文明的精神内核,在文明的发展过程中往往有着特殊的“历史惰性”。同样,海派作家与旧传统的脐带也不可能一剪剪断。论文的下篇就是关于海派小说性叙事的传统性特征的论述。首先,论文指出,在海派作品中男性与女性都有对心理时间独特的感知方式,女性比男性更容易感受到时光流逝的威胁,美人迟暮是男性带给女性的阴影心理。与之相伴而来的是,女性与男性的时间之流以不同的流速向前奔淌,女性的时间之流明显快于男性。正是女性对时间流逝的伤感,使得女性对时间的恐惧表现为两种样态,一种是张爱玲式的回望过去,一种是穆时英笔下摩登女性式的前瞻未来。原本生活在不同的时间维度的男性与女性,只有在从线性时间链条中切割下来的时间单元中,才可能由于被迫遇合而相爱。 其次,本文具体描述了海派作家笔下的淫乱型、情爱型、性爱型乱伦行为,以及男女作家对恋物癖的性变态行为的不同表现,并指出以往一直列为恋章癖的施蛰存的《周夫人》并非构成恋章癖。并且驳斥了,有关张资平等小说中的乱伦行为的表现具有新道德建构意义的观点,及海派作家笔下的混乱的性世界具有巴赫会所称的狂欢化世界的涵义的说法。回顾文学史上出现的三次性混乱行为描写的高峰,可以发现混乱性行为的表现总是与现代性事件相伴而尘,它是现代性追寻过程中必然产生的对抗性力量,但它本身不属于现代性的成分。 接着,文章针对海派小说中性爱和死亡的主题,具体论述了:疾病与爱情、更多还原

【Abstract】 This thesis tries to re-explain criticism meaning in the works of the novel of Shanghai style through observing sexual problems in Shanghai style novels and criticism and tradition and the conflicts between the two types.In the first half part of the thesis, the author mainly analysis the appearance of sexual moral that has criticism characters in Shanghai style novels .Firstly, the author points out that Chinese sexual culture hasn’t the type of two genders war through the analysis of Chinese ancient sexual skill and folk stories of Hua Mulan and HeDong’s Lions Roar. The typical sexual mode in Chinese culture is the gradational divide that men are upper while women are vulgar. The true works of two genders war that possesses modern meaning are under the pen of female writers. Long —standing oppressive surroundings makes women fire the fuse of revolt.Secondly, the thesis points out that in the view of men, women are often described as the symbols of angel and lamia, the two absolute opposition. Anima is the embodiment of lamia —the symbol of men’s dream lovers—and is often metaphor as butterfly, cat and fox. In the works of female writers, lamias are often very kind in heart. Through bold and real writing, female writers put lamias out of men’s nightmare to reality. The female writers break the original meaning of lamia and remould the meaning of lamia to angel. At the same time, female writers portray two oppositions of male image in their works. The author thinks that Brother Wei and Ling Jishi are the two opposite models of male images compared to angel and lamia. In Chinese traditional novels, heroic images were endowed with nonsexual characters, so these images didn’t go into the world of the female’s emotion.Thirdly, the thesis gives a definition of homosexual literature. In the novels of Shanghai style writers, female homosexuality has criticism color, while male homosexuality has the relic of men dallies with boys from ancient society, and this act doesn’t belong to criticism expression in the aspect of sexual ethics.Lastly, the thesis points out that in the novels of Shanghai style writers, love’s dissatisfaction at last has become a kind of culture. People have the same feelings of love’s impracticality like moon in water as the feelings of Chinese intelligentsia ideal’s failure in 20th century, and these feelings are consistent with the consciousness of hollowness for the whole duty’s incompletion.Sexual culture as the spirit core of social culture ,it takes special position ------historical inertia in the process of cultural development ,so Shanghai style writers can’t cut the connection with old tradition .The last half part narrates traditional characters of Shanghai style novels. Firstly, the thesis describes men and women have different percept for the psychological time. Women are more easily threatened by elapsed time than men .The beauties are getting old. So women are influenced with dark mentality by men .According to this, women’s time river is different from men’sand women’s time river is faster than men’s. Women have two different fearful attitudes for elapsed time. One attitude is Zhang Ailing-style-recall the past, the other attitude is modem female-style—forecast the future in Mu Shiying. Men and women who are Hving at the different time units can meet then to love only if time chain is cut off into different time units.Secondly, the thesis describes three kinds of incestuous acts in detail, licentiousness, love and eroticism. It also describes the different appearance about sexual abnormality of the act of fetishism and points out that Shi Zhecun’s <Mrs. Zhou> which has been thought as pedophilia isn’t that. The author also quarrels the view that incest act has the characters of new moral constructive meaning in the novel of Zhang Ziping, and the opinion that chaotic sex world has the meaning of gay world what Bakhtin said in Shanghai style novel, Review the three summit of sexual chaotic act description, the readers can find that chaotic sex act often accompany with modem sex act. Chaotic sex act is an opposite power with seek of criticism, but itself isn’t belong to a part of criticism.Thirdly, according to the theme of sex and death in Shanghai style novels, the thesis talks about disease and love, abstinence and lechery, attaching to virgin, devotedness and ruin, and sex and material culture. In trope of culture, tuberculosis is considered as a romantic disease, so this disease often appears in love stories. The readers can realize from Shanghai style novels that when people haven’t find a new way to crash old asceticism people’s awakening will appear at the ugly pattern of human nature’s debauch . Human nature’s debauch and oppression are both ruining human value. Though Shanghai style writers are all modem intelligentsia who were experienced the May 4th movement , according to the judge of appreciation and the view of characters’ sex opinion , readers still can see the concept of value of attacking to virgin;sacred love can lead to suicide or killing others , and this is a kind of love disaster . In Shanghai style writers’ novels, numerous men and women are in disasters. Sex and goods have the same substance in commercial society, so sex and goods metaphorically refer to each other out of question. From ancient times to the present in China, people often mention foods and sex in the same breath, so in Shanghai style novels, writers inherit the style of Ming and Qing Dynasties love stories—food and sex tradition in describing women body.Lastly, the thesis point out that there are two cases of women’s life-degenerate and return in the pen of Shanghai style writers. In fact, not only degenerate, but also return is also another kind of prostitution.更多还原