【作者】 张世斌；

【导师】 刘崇德；

【作者基本信息】 河北大学 ， 中国古代文学， 2006， 博士

【摘要】 本论文研究明末清初词风嬗变特点和产生原因。上编重点论述“尊体说”与词的发展、词由曲化向诗化的转变和词风宗尚的变迁三方面问题。卑视词体是明词衰敝的重要原因，因此明末清初词人们“推尊词体”的努力对词的再度振兴发挥了重要作用，但是由于长期传统思想的因袭，词人们在“推尊词体”方面又常常表现出诸多的矛盾之处，使词的发展表现出迂回曲折的特点。明末清初词人有感于明词曲化的流弊，努力从风格、意境、语言以及词韵词律等方面厘清词曲分疆，同时由于时代的巨变和词创作的不断发展，越来越多的词人开始以严肃的态度来对待词。因此，词在逐步摆脱戏曲影响的同时，逐渐显露出向诗体靠拢的倾向。明末清初的词坛经历了由尊南唐北宋婉约词到尊南宋醇雅词的转变，这一转变的形成，除社会变迁这一客观因素外，与浙派成熟的开宗立派意识、《词综》的出版和当时审美情趣的改变有直接关系。本文下编通过对明末清初三位著名词人曹尔堪、陈维崧和朱彝尊词风特点和形成原因的分析，论述他们与明末清初词风嬗变之间的关系以及对于词风嬗变的深刻影响。更多还原

【Abstract】 This paper is the study on evolution and causation of ci-poetry style in late Ming and early Qing. Part 1 is probe into influence of respect to ci-poetry, transition of ci-poetry from near drama to poetry and change of apotheosis object. It was the important reason for comedown in Ming’s ci-poetry to despising ci-poetry, so it was influence greatly for ci- poetry evolution to the poets respect to ci-poetry. But coming in for infection of conventional thought, the poets used to antinomy in respected to ci-poetry, so ci-poetry’s evolution represent flexuous characteristic. The poets endeavored to differentiate between drama and ci-poetry by the style, artistic conception, language and swing. More and more poets begin to regard for ci-poetry, that ci-poetry was getting closer and closer to poetry. Besides the vicissitudes of society, mature genre consciousness of Zhexi, publishing "Ci-poetry Zong" and transfer of the poets’ sentiment, all caused change of apotheosis object in late Ming and early Qing . Part 2 is the study on the ci-poetry style and causation of the three celebrated poets, Cao Er-Kan, Chen Wei-Song and Zhu Yi-Zun in late Ming and early Qing. It is probe into the relation between their ci-poetry style and ci-poetry style in late Ming and early Qing更多还原