【摘要】 三幕家庭剧《玩偶之家》是体现易卜生思想和艺术成就的典范作品,戏剧结尾娜拉的出走及走后会怎样,为欧洲乃至世界剧坛留下了一个巨大的问号。人们基于不同的立场、态度和文化语境曾作出种种不同的回答。我国现代作家郭沫若植根于中国文化语境,以理想的社会本位意识为旨归,在《写在〈三个叛逆的女性〉后面》、《〈娜拉〉的答案》等文章中对易卜生的“问号”作出了经典的中国式回应,并以秋瑾为例,为中国“娜拉”指明了走向革命的出路,抒写了激进的革命情怀。更多还原

【Abstract】 The three-act family play A Doll’s House,a work which fully embodies Ibsen’s ideas and art achievement,leaves the Europe and the whole world a big question,that is:what will happen after Nora’s leaving? Based on different positions,attitudes and cultural contexts,people have given various answers to this question.In his essouys like “Writing after ’Three Rebellious Women’”,“An answer to A Doll’s House”,Chinese contemporary writer Guo Moruo gives a typical Chinese response which rooted in Chinese cultural context and oriented by his ideal social sense.He takes Qiu Jin as an example to show Chinese Nora’s a revolutionary way-out and expresses his radical revolutionary feelings.更多还原