【摘要】 小说典型理论在明清时代经过了从朦胧走向明晰而至成熟的一个发展轨迹。从李贽提出了典型的共性与个性的“同而不同处有辨”的思想,到叶昼提出典型的多层心理分析,到金圣叹揭示的典型之“同中之异”,到毛宗岗的典型和类型的区分,到张竹坡典型的“犯而不犯”、“尚有典型”的理论思维,终至成熟。而后,脂砚斋对典型的二重性作了进一步深化和完善。因此,中国的典型理论形成了有自己民族特色的美学思想和学理渊源。更多还原

【Abstract】 The typical novel theories passed by a development track from a dim to a clear,and then to a mature period in the Ming and Manchu Dynasty.From the thought of "together but the difference has already distinguished" of the typical generality and individuality put forward by Li Zhi,to the typical psychoanalysis of many layers posed by Ye Zhou,to the typical "the difference in the same" disclosed by Jin Shengtan,to the distinction of typical character and type from Mao Zonggang,to Zhang Zhubo’s typical and theoretical idea of "make but don’t make","have typical model still",and go to the maturity eventually.And then,Zhi Yanzhai made a further deepening and improvement for thetypical dual character.Therefore,the typical theories of China formed the esthetics thought and theory origion with its own national features.更多还原