【摘要】 中国当代电影从“弑父’、“弃父”再到“认父”,“父子”冲突此起彼伏。2005年,众多中国电影导演不谋而合,以真诚的平民情感,在宏大的叙事和平静体悟中回归“东方人伦”,重建“父亲权威”。追求人性,坚守本土,对社会家庭关系变动调整的殷切注视,对现实传统文化迁移流失的关怀认同,使中国当代电影具有一种强大的艺术力量。更多还原

【Abstract】 There are constant conflicts between father and son in China’s modern films, form "patrecide", denial of father" to "recognition of father" In 2005, many Chinese film directors happened to direct the flims in the same aspect: they made the "East ethics "returned and reconstructed the "father’s authority" based on the common people’s sincere feeling, impressive narrating and peaceful appreciation. The pursuit of human nature, holding on the native ground, eager attention to the change and adjustment, to the social and family relationship, and to the care and identification on the removal and loss of the traditional culture in the reality all strengthen the artistic force in China’s modem films.更多还原