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朝鲜民族舞蹈与中国古典舞“气韵”之比较

Comparison on “Spirit and Rhyme” Between Korean Folk Dance and Chinese Classic Dance

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【作者】 向开明

【Author】 XIANG Kai-ming(College of Art,Yanbian University,Yanji,Jilin 133002,China)

【机构】 延边大学艺术学院 吉林延吉133002

【摘要】 中国古典舞最为突出的美学特征,便是讲究“气韵”。在中国古典舞中,“气”、“韵”分别统领着教学、表演、创作中的“神”与“形”。意、气、力、形四者是相互贯通、紧密联系、缺一不可的整体。朝鲜民族舞蹈最显著的特点则是十分强调“韵律”,最基本、最典型的“气韵”方式则体现在“粘劲儿”上,并以此构筑了朝鲜民族舞蹈韵律的核心。这种“气韵”相近之因,无外乎由于哲学理念和传统文化之源相通、“气韵”观相同。

【Abstract】 "Spirit and rhyme" are two prominent and aesthetic features in Chinese classic dance and they command the "vigor" and "figure" in the process of teaching,acting and creating."Idea","spirit","power" and "figure" are the four integral parts which are co-linked up,closely-related and the dance will be flawed without any one of them.Whereas,Korean folk dance put much emphasis on "rhyme".The "air of cohesion" embodies the most basic and typical "spirit and rhyme" that construct the core of rhyme in Korean folk dance.It is clear that the similar "spirit and rhyme" in the two kinds of dances originate from the interlinked traditional philosophical ideas and cultures.

  • 【文献出处】 延边大学学报(社会科学版) ,Journal of Yanbian University(Social Sciences) , 编辑部邮箱 ,2006年03期
  • 【分类号】J722
  • 【被引频次】11
  • 【下载频次】535
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