【摘要】 宋代说唱伎艺的演员往往是作为个体独立演出的,绝少演员之间的配合,也很少乐器伴奏,演出上的这些特点以及流行于瓦舍勾栏,分散于酒楼茶肆,决定了说唱伎艺对场地的要求不高,随意、自由、且具有流动性、分散性。这使得宋代说唱伎艺极为普及,成为典型的市民文艺形式。由于没能建立起自己的舞台系统,瓦舍消亡后,说唱伎艺繁华不再。更多还原

【Abstract】 The talkers and singers in Song Dynasty’s talking and singing arts are individuals who perform independently. Rarely do they cooperate with one another, nor be accompanied with instruments. They can perform at any place that is available. Thus the features of randomness, freedom, mobility and dispersiveness are formed, and lead to the popularity of these arts, which are combined into a typical form of city art with a lower qualification. Failing to have established their own staging system, they no longer exist when old flat houses and courtyards disappeared.更多还原