【摘要】 “移情”作为美学中的一个重要范畴,一直以来就是中西美学研究的重要理论学说。简单地说,“移情”就是将人的感情移入物中,使物也具有了人的情感,以此来渲染或抒发作者的感受。但是,中西的“移情说”并不尽相同。西方移情理论更多的是对于“外射”的探讨,而中国古典“移情”理论更多是天人合一思想的具体反映。这种差别的产生是中国和西方传统思维方式的不同所致。因此对中西移情理论进行对比,探寻这些差别在思维方式层面上的深层根源,能使我们更清楚、更准确地了解移情的发生机制,提高文学欣赏能力。更多还原

【Abstract】 As a key theoretical construct in aesthetics,empathy has been an important research topic of Chinese and Western aesthetical studies.Simply put,the essence of empathy is to inject human feelings onto natural objects,enabling these objects to possess human feelings,and thus constitutes one way to express what the author feels.But Chinese and western empathy theories differ in lots of respects.The western empathy theories concern themselves more with discussions of ‘projection’,while classical Chinese empathy theories are reflections of the thought of ‘combination of human and nature’.This difference is a natural result of differences between Chinese and western thinking modes.Therefore,it is necessary to compare Chinese and western empathy theories and seeking the philosophical origins of these differences can enable us to understand the language phenomenon more deeply and to enhance our abilities in literary appreciation.更多还原