【摘要】 张彭春是中国话剧创作的第一人,他于1915年创作的三幕话剧《外侮》,比现代文学史上认定的中国第一部话剧作品提前了四年;张彭春是中国话剧的第一任导演,自从他1916年回国加入南开新剧团后,便实行欧美现代戏剧流行的导演制;在中外戏剧双向交流方面做出杰出贡献的,张彭春也是第一人。或许是由于他“所务太广”的原因,或许是由于他的国民党政府官员的特殊身份,使他对中国话剧的杰出贡献,始终没能引起有关学者、专家的关注和评价。更多还原

【Abstract】 Zhang Pengchun was the first man of Chinese oral drama writing. " the intruder" , the oral drama written by him in 1915 was four years earlier than "A great thing to whole life" by Hushi in 1919 which was authorized the first oral drama writing in modern Chinese literature history. Zhang was the first director of Chinese oral drama performance, He rejected the "new drama" model, namely to write and performe simultaneously, and adopted director system prevailing in Euro-American modern drama stages, after he joined the nankai new drama Troop in 1916. Zhang Pengchun was also the first man in drama exchange with the outside world. Perhaps because he was an officer in the "Kuomintang" government, or he had been involoved in too many fields,his contributions to Chinese oral drama have not been respected or remarked objectively by scholars and specialists in China.更多还原