【摘要】 以西方思维为参照系,由中国传统原典中所蕴涵的反人类中心主义思想出发,与西方目前的生态批评与生态意识实现跨越时空的对话,揭示出源自道家自然思维的观物感物观及其在诗歌和艺术审美上的表现:即消极感受下的“心与物游”的混茫意识;非人类中心主义的“与物为春”;与自然为善的人类情感的大地书写。更多还原

【Abstract】 This paper takes the habitual Western thinking as a frame of reference which is contrasted with the standpoint of anti-anthropocentrism stemming from ancient Chinese classics,with the purpose of achieving a spatio-temperol dialogue with the eco-criticism and eco-consciousness current in the west.Herefrom the author exposes three main features typical of Taoism and Chinese poetry and arts,as follows: the negative and holistic sense of "being integrated with the nature";non-anthropocentrism of "dance with the nature";the nature-writing of being friendliness with the nature.更多还原