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徐渭“以时文为南曲”考论

The textual criticism of XU Wei’s proposition—“taking the present articles as Nan Qu”

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【作者】 马琳萍朱铁梅

【Author】 MA Lin-ping ZHU Tie-mei (Department of Chinese & Literature,Shijiazhuang College,Shijiazhuang 050035,China)

【机构】 石家庄学院文学与传媒学院石家庄学院文学与传媒学院 河北石家庄050035河北石家庄050035

【摘要】 在嘉靖三十八年《南词叙录》成书的特定语境下,“以时文为南曲”具体指“无一句非前场语,无一处无故事”。“前场”是明清科举考试中考八股文的第一场,“前场语”即以“四书五经”和朱熹传注为主的八股文语言。这一论断揭示出明代中后期传奇创作对于八股文从内容到形式的全方位借鉴,其实质是戏曲与八股文两种文体间的影响与移植。

【Abstract】 Under the specific linguistic context which“Nan Ci Xu-lu”was created in the 38th year of Jiajing,“taking the present articles as Nan Qu”means“none are not the preceding performance lan- guage,none there are not stories”concretly.“The preceding performance”is the first test of the imperial civil service examinations of Ming and Qing dynasties in which the eight-part essay is tested,“the pre- ceding performance language”is the language of the eight-part essay which mainly relies on the lan- guage of“the Four Books and Five Classics”and ZHU Xi’s notes and commentary.This Judgement re- vealed the omni-directional reference to eight-part essay of creating of Legend from content to form in the middle and later periods of Ming Dynasty.The essence is influence and transplantation between two kinds of style of opera and eight-part essay.

  • 【文献出处】 河北学刊 ,Hebei Academic Journal , 编辑部邮箱 ,2006年04期
  • 【分类号】I207.37
  • 【被引频次】5
  • 【下载频次】242
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