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对朦胧诗论争中两个焦点的反思

Reflections on the two foci during the contention of menglong poems

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【作者】 楚宗礼;

【Author】 CHU Zong li (Department of Chinese, Weifang University, Weifang 261041, China)

【机构】 潍坊学院中文系 山东潍坊261043;

【摘要】 朦胧诗论争的焦点 ,一是自我表现 ,一是关于意象的运用。现实主义把“自我”看成个体人格的非理性方面 ,朦胧诗人则坚持”自我”具有理性的一面。看来论争的原因在于对自我的理解。本文运用弗洛伊德的人格结构图对此进行了分析。意象的运用是朦胧诗人抒发内心感受 ,寻找情感对应物的结果 ,但朦胧诗人及其理论家却把意象神化了 ,导致了诗歌的晦涩难懂。正确的意象运用原则可根据完形心理学的“异质同构”说来解释

【Abstract】 One of the two foci of Menglong poems contention is self-expression,the other is the use of imagery. The realists regarded "self" as the reasonless aspect of one’s personality ,while the Menglong poets considered it as the rational aspect. It seems that the reason for the contention comes from their diferent understanding about "self".The use of imagery is the result that the Menglong poets expressed their feelings by emotional homologues ,but the Menglong poets and their theorist deified imagery,thus made their poems hard to understand.We can explain the proper principle of imagery use according to Gestalt phychology.

【关键词】 朦胧诗; 意象; 自我表现;
【Key words】 Menglong poems; self expression; imagery;
  • 【文献出处】 潍坊学院学报 ,Journal of Weifang University , 编辑部邮箱 ,2002年01期
  • 【分类号】I207.25
  • 【被引频次】1
  • 【下载频次】250
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