【摘要】 童话名作《阿丽思漫游奇境记》自介绍到中国以来,反应并非如预期的那么热烈,除语言文化的差异外,原因在于它迥然异于传统文学。文本没有先验设定的主题和结构,语言中心主义和人本主义受到了消解和揶揄,互文性游戏贯穿全文。文本因而蒙上了浓厚的后现代主义特征。更多还原

【Abstract】 Since Alice’s Adventures in Wonderland’s introduction to China, it is not as warmly welcome as expected. The reason lies in linguistic and cultural differences as well as in the fact that the tale is totally different from the traditional literature. In the text, there are no prearranged central structure and theme, phonocentrism and anthropocentrism are deconstructed and parodied, and the game of intertextuality recurs throughout. Hence the text is imbued with the hues of postmodernism.更多还原