【摘要】 鲁迅先生完成了《呐喊》、《彷徨》两部现代题材小说创作之后 ,在继续开掘国民性负面因素的同时 ,企冀用历史小说的形式描绘“中国人的脊梁”式人物。当他进行这种正面描绘的时候 ,却发现了民族脊梁上的精神负累 ,历史的混沌性与历史的清晰性相混杂 ;发现了主人公自我确定的艰难 ,自我确定的庄严性与滑稽性相结合。由这两个发现形成的悖论组合的艺术张力 ,使《故事新编》具有了独特的审美品格更多还原

【Abstract】 After completing his two novels "Cry" and "Hesitation" based on modern themes, Luxun attempted to depict the Chinese ridge beam characters as he continued to excavate the negative national factors. While conducting this positive description, he discovered the spiritual burden on the national ridge beams and the confusion between the historical chaos and clarity; the combination of the difficulty between self decision as well as the dignity of self decision and the quality of amusement. The art strain of contrary theories produced by the combination of the two discoveries enables "New Edition of Stories" to possess particular character of the appreciation of the beauty.更多还原