【摘要】 由于题材的特殊要求 ,《三国演义》中的女性形象处于配角的位置。罗贯中基于男性中心主义的立场 ,使用男权话语去描写女性形象 ,赋予笔下女性形象以工具的作用。小说中的美女、烈女、良母等形象系列 ,成为最能体现作家创作意愿的文化符号更多还原

【Abstract】 The female images in The Romance of the Three Kingdoms were in the position of supporting roles as a result of particular request of theme.From his man-centered stand LUO Guang-zhong described the female images in man-right words and thus entrusted them to the role of instrument.The image series of beauties,paragons of chastity or loving mothers in the fiction became the cultural symbols that most reflected the author’s writing will.更多还原