【摘要】 郁达夫以《沉沦》为代表的浓郁“自传体”小说在五四文坛以独特而强烈的自剖内审视 ,全盘托出一群觉醒青年的时代病态生存境遇 ,并以之击碎传统文化板层 ,揭示出“自由”、“解放”的呼唤与剪不断、理还乱的传统文化情结 ,以及二者之间所构成的张力与个体的生存悖论 ,敞明“集体无意识”对个体命运的凋蔽隐匿。作为历史的分子范畴 ,郁氏小说不可避免地带有时代烙印 ,既向往“自由”与“解放” ,又找不着出路的二律背反状态更多还原

【Abstract】 YU Da-fu’s novels, full of“autobiographic style”, with Chenglun as the representative work and with peculiar and strong self-analysis and introspection in the literary world of the May 4th movement, thoroughly depict a lot of awakened youngsters’ sickly living conditions at that times. With the main content of breaking traditional literature, the novels reveal the call for “freedom”and “liberation” and literary complex that cannot be cut off and arranged in good orders as well as the tension between the two and the individuals’ living paradox. The novels expose the concealing effect of“collective unconsciousness” on individuals’ fates. As a component in the history, his novels inevitably have the period marks. Though yearning for “freedom” and “liberation”, the novels cannot find out a way to them, but remaining in a state of paradox.更多还原