【摘要】 唐代墓室国画填补了唐画研究缺乏真迹的空白，展现了唐代绘画的创新面貌。已发现的唐代墓室壁画可分为三个发展时期：初期继承南北朝画风，疏、密二体并行，由疏简、劲健而稍有板滞向流畅、舒展而又灵动的方向转化；中期体现为几种风格的融合，简快、豪放，有“吴带当风”之韵；晚期在完善中期风格的同时，又有创新，开五代细丽精巧的人物画风及工笔重彩花鸟画风之先河。更多还原

【Abstract】 The coffin chamber murals in the Tang Dynasty showed the innovative trend of the art of painting in that period of time since they completely changed the situation of the study of the Tang paintings by presenting a considerable quantity of the authentic Tang paintings. A brief study of the Tang coffin chamber murals unearthed so far indicates that the development of the Tang coffin chamber murals divides into three periods: early period, middle period and late period. In the early period, the Tang coffin chamber murals tended to succeed the popular style in the South and North Dynasties, transforming from a simple and vigorous but stiff style to an easy and smooth one. The middle period of development produced a brief and uninhibited style with a combination of several styles in the tone of "the fluttering ribbons standing as a soft breeze". In the late period, while perfecting the established middle period style, the Tang coffin chamber murals undertook further innovation by pioneering the style of paintings in the Five Dynasties which contributed delicate figures and brushwork flowers and birds with dense colours.更多还原