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格调 风神 神韵——胡应麟《诗薮》的理论特色
Theoretical Features of Hu Ying ling’s “On Poetry”
【摘要】 胡应麟的《诗薮》是明代中期一部重要的诗话著作。书中一方面继承了前后“七子”的“格调”说 ,并将“格调”说作为论诗的主要标准 ;一方面又提出了另一标准 ,即“风神”或“神韵”,体现出从“格调”说向“神韵”说演变的轨迹。这构成了《诗薮》最突出的理论特色
【Abstract】 On Poetry” by Hu Ying ling is an important works in literary criticism during the Mid Ming Dynasty ( 1368——1644 ). In this book, the author adopted “the theory of artistic style in poetry” advocated by the former and the later seven poets, which he took as the major criterion in poetry criticism. On the other hand, Hu Ying ling put forth his own criterion, “romanticism” or “romantic charm”. The transition from “artistic style” to “romantic charm” is a striking feature in this theoretical works.
- 【文献出处】 上海大学学报(社会科学版) ,Journal of Shanghai University , 编辑部邮箱 ,2001年01期
- 【分类号】I207.21
- 【被引频次】15
- 【下载频次】653