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由唐人题画诗观唐画写真之论

The Realism Theory of the Chinese Painting Reflected through The Poem Inscribed on a Painting in Tang dynasty

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【作者】 施建中

【Author】 SHI Jian zhong (School of fine arts,Nanjing normal Univ.,Nanjing 210097,China)

【机构】 南京师范大学美术学院!江苏南京210097

【摘要】 题画诗发端于六朝而兴于唐代 ,其结合文学与绘画 ,是中国特有的一种艺术形式。唐人题画诗涉及唐代绘画的体裁、内容、作者、技法和评论等诸方面 ,题画诗中“宛相似”“得神骨”等相关品评反映了唐人论画崇尚写实的风气。这种写真论是有其社会根源和技法基础的 ,它是中国画发展过程中的一个重要阶段 ,并且对后世的绘画和画论也产生了一定的影响。

【Abstract】 The poem inscribed on a painting began in Six dynasties(220~581) and became prosperous in Tang dynasty(618~907).It is a combi nation of literature and painting,which is a special form of Chinese arts.The poem inscribed on a painting of Tang dynasty concerns about the motif,style,painters,technique,review and so on.The theory of likness and connotation shows the truth that artists of Tang dynasty put high value on likeness.And this kind of realism theory has its source in the environment of the society and technique.It’s a very important stage in the development of Chinese painting.It also has its own effect on the arts following it.

【关键词】 唐代题画诗绘画写真论
【Key words】 Tang Dynastypoem inscribed ona paintingChinese paintingrealism
  • 【文献出处】 南京师大学报(社会科学版) ,Journal of Nanjing Normal University (Social Science Edition) , 编辑部邮箱 ,2001年03期
  • 【分类号】J120.2
  • 【被引频次】6
  • 【下载频次】375
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