【摘要】 新时期中国电影的内容题材、思想主题、叙事技巧都显现出依附于文学的倾向 ;而作为时代文化主流的电影也使文学的思想观念和表意策略得到深刻的转变。与文学从内容到形式全方位的“并轨” ,成为了新时期中国电影从荒芜走向繁荣的主要动因。而文学、电影二者在“寻根”上的契合则展现了新时期的中国文艺追寻民族特性、反映民族时代特征的探索轨迹 ,并预示着中国民族文艺的光明前景更多还原

【Abstract】 As far as their contents, themes and narrative techniques are concerned, Chinese films at the New Stage suggests a tendency of attaching to Chinese literature, while the films, a cultural mainstream of our times, has ever caused a profound transformation of leading ideas and expressive strategies of literary. The omnibearing joint with literature from content to form produces the main impetus for Chinese films to go ahead from winter to summer. And the joint between Chinese literature and films in seeking some root shows the trace of Chinese arts at the New Stage pursuing our national particularity and reflecting the spirit of our times, and predicts a promising future for Chinese arts.更多还原