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从岩画看视觉图像的构成——人类学视域的原始图像

An Analytical View Towards the Formation of Visual Images through Cliff Painting──Some original images out of the anthropological points of view

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【作者】 王良范

【Author】 WANG Liang fan (The Philosophy Department, Humanities College, Guizhou University, Guiyang, Guizhou, 550025, China)

【机构】 贵州大学人文学院哲学系 贵州贵阳550025

【摘要】 岩画是早期人类用视觉呈现的方式表达意义的一种感性文本。这种图像世界的表达和诉求同现代绘画有着明显的差别。以现代人观物的模式和立场对岩画进行阅读 ,可能会因文化的巨大差别而形成深刻的误读。本文从人类学的角度对岩画和现代绘画中的文化差别进行描述和分析 ,以期获得对岩画的图像发生与意义发生的人类学理解。

【Abstract】 Rock painting is one of the perceptual versions in which visual presentation adopted by primitive people to express their ideas. The expression and function of the picture images are quite distinct from those in modern paintings. The great cultural differences between the present and the primitive periods in appreciation might lead to serious misunderstanding if rock painting is interpreted based on the pattern and viewpoint that modern man tends to adopt. This article describes and analyses the cultural differences between rock painting and modern painting from an anthropological point of view to achieve an anthropological understanding of both the images and the ideas of rock painting.

【关键词】 岩画图像人类学
【Key words】 rock paintingimagesanthropology
【基金】 贵州省人才基金资助课题
  • 【文献出处】 贵州大学学报(社会科学版) ,Journal of Guizhou University(Social Scionce) , 编辑部邮箱 ,2001年04期
  • 【分类号】J20
  • 【被引频次】15
  • 【下载频次】480
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