【摘要】 传统的诗歌文体理论笼而统之地讲诗歌的“抒情性”、“音乐性”和“意境”。这些文体特点基本上是从中国古代诗歌和浪漫主义新诗中总结出来的。而运用不同创作方法创作的新诗和不同形式的新诗在抒情性和音乐性上的具体表现各不相同 ,也不一定都有意境。偏执于一个方面容易导致理论的片面性。当今中国诗坛 ,学习借鉴现代派诗歌艺术手法的意象诗已然占据了主流地位 ,这就从客观上要求我们纠正对诗歌文体特点的片面性理解。更多还原

【Abstract】 The traditional critiques on poems generally lay more emphasis on emotion, rhythm and imagery,which are summed up, in the ancient poetry and new romantic poems. However, the new poems with new creation and forms vary in emotion, rhythm and imagery. So, one-sidedness always occurs if we stick to one of the three. Now, in the contemporary literature field, the poems with imagery have taken the lions share; in accordance to that, we have to adapt ourselves to the changes.更多还原