【摘要】 《百苗图》是反映清代贵州各民族状况的一本重要典籍 ,图文并茂 ,有各种手绘抄本流传 ,但一直没有正式校订出版。自从台湾藏本《番苗画册》影印出版之后 ,学术界争相引用。本文在收集、分析、对比《百苗图》各个版本的基础上 ,从《番苗画册》配图背景、内容和绘画技法 ,以及行文的书写格式、印鉴使用的惯例、文字错漏情况等方面逐一考证 ,认为该书为赝品 ,系清末民初书商为谋利炮制而成的更多还原

【Abstract】 Paintings of Various Miaos is an important classical book reflecting the styles and features of various ethnic groups living in Guizhou in the Qing dynasty, which is excellent in both drawing and writing, although there are various hand-written copies that are spreading among people, yet it had never been officially collated and published. When Album of Paintings of Ethnic Miaos, a collected copy of “Paintings of Various Miaos” kept in Taiwan was photolithographed and published, the “Album" has often been quoted by academic circles. On the basis of collecting, analysing and comparing the different editions of Paintings of Various Miaos, this article demonstrates that the Album of Paintings of Ethnic Miaos is a counterfeit, which was concocted for seeking profits by booksellers during the late Qing dynasty and the early period of Republic of China, the conclusion is drawn by the author after the textual studies of Album of Paintings of Ethnic Miaos in the contextual background against which paintings are arranged, the content and painting skill, the form and style of writing, conventions in using seals, the wrongly witten characters and missed characters, etc.更多还原