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钢琴演奏中力度的设计

Design of dynamics in playing the piano

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【作者】 崔鸿源张龙海

【Author】 CUI Hong-yuan, ZHANG Long-hai (1. Musical Department, Guangdong Zhaoqing Xijiang Unversity, Guangdong Zhaoqing 526000, China; 2. Musical Department, Jinn Arts College, Changchun 130022, China)

【机构】 广东肇庆西江大学音乐系!广东肇庆526000吉林艺术学院音乐系!吉林长春130024

【摘要】 钢琴演奏中不存在绝对的力度标准。演奏者要在力度幅度自我检测的基础上,对具体作品进行力度设计。在力度设计中,要处理好声部的主次、轻重对比和渐强渐弱的关系。此外,还要结合演奏者对作品力度的自我感觉意识。

【Abstract】 There is no absolute dynamical standard existing in playing the piano. Players have to make the dynamical design for the concrete musical works on the self-checking base of the dynamical range. In the dynamical design, the primary and secondary position, the light and heavy constrast, the fade-in and fade-out relationship in the musical part should be handled well. Moreover, the self-sensational conciousness of which players have on the musical works’ dynamics should also be considered.

【关键词】 钢琴演奏力度设计
【Key words】 pianoplaydynamicsdesiH
  • 【文献出处】 长春大学学报 ,Journal of Changchun University , 编辑部邮箱 ,2000年06期
  • 【分类号】J624.1
  • 【下载频次】62
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