【作者】 万建中； 代改珍；

【Author】 Dai Gaizhen;

【机构】 北京师范大学； 北京师范大学民俗学与文化人类学研究所； 中国民俗学会；

【摘要】 2002年底,朱仙镇木版年画的抢救工作作为中国民间文化遗产抢救工程的龙头全面启动,2006年,木版年画被列为首批国家级非物质文化遗产,由精英知识分子掀起的这场"抢救工程"上升为国家权力主导的"文化运动"。在这10年中,朱仙镇木版年画由实用的年俗物品迅速演变为收藏欣赏的文化艺术品,政府、知识分子、媒体、艺人、经纪人、社会受众等各个主体共同但不均质地构建了朱仙镇木版年画民俗文化的外价值,这种外价值反作用于年画民俗的内价值,对内价值一定程度上的动态重构,形成了新语境下的木版年画"民俗"。基于对朱仙镇木版年画近十年发展变迁的田野研究,本文将重点探讨作为非物质文化遗产的年画民俗的外价值的形成过程及其对内价值的反作用,以及内价值的变迁,同时兼及非物质文化遗产的一些其他问题。实际上,作为非物质文化遗产的朱仙镇木版年画已经成了各个权力主体交互影响的权力场域,被动的只是"遗产"本身。更多还原

【Abstract】 The rescue project of the wood engraving pictures in Zhuxian County was back in full swing at the end of 2002.This project serves as a leading project in the rescue project of Chinese folk culture legacy.In 2006,the wood engraving pictures was listed as the first batch of national intangible cultural heritage.And the rescue project started by some elites intellectuals turned into a country-led "culture movement".In the past 10 years,the wood engraving pictures in Zhuxian County which were a kind of practical festival custom items,have turned into the art collection.Every group such as the government,the intellectuals,the media,the artisan,the broker,the social mass etc.,builds the extrinsic value of the wood engraving pictures in Zhuxian County in different degree.The extrinsic value of the wood engraving pictures Zhuxian County reacted its intrinsic value,and reconstructed the intrinsic value dynamically in some degree.This effect formed the "folk —custom" of the wood engraving pictures in the new context.Based on the field research on Zhuxian Country wood engraving pictures’ development and changes in 10 years,this study will mainly investigate the forming process and reaction to its intrinsic value of the extrinsic value of the wood engraving pictures "folk—custom" as the intangible cultural heritage.This study will also discuss the changes of intrinsic value and some other issues of the intangible cultural heritage.Actually,as a national intangible cultural heritage item,the wood engraving pictures in Zhuxian County have become fields of power influenced by every subject of power.And only the heritage itself is object.更多还原