【作者】 陈卫星；

【机构】 中国传媒大学国际传播学院；

【摘要】 被称之为"韩流"的韩国影视自20世纪90年代以来成为席卷东亚的重要文化现象。韩国电影无疑是韩国社会转型的重要叙事文本。本文以韩国电影导演李沧东和金基德分别执导的三部影片《薄荷糖》、《绿洲》和《打回头的情书》为对象,采用叙事分析和话语分析的方法,剖析韩国社会的现代化进程当中个人身份认同的焦虑,透过影片中的性别关系、权力结构、话语体系和道德实践之间的相互连接,折射出韩国社会现代性的多重症结。更多还原

【Abstract】 Since 1990s,South Korea’s movies and TV programs had become a significant cultural phenomenon of East Asia as so-called"Korea Stream".Undoubtedly,South Korea movies are important narrative texts of this country’s social transformation.Peppermint Candy,Oasis and Address unknown are respectively directed by Chang-dong Lee and Kim Ki-duk of South Korea Movies.Using narrative and discourse analysis,this article used Peppermint Candy,Oasis and Address unknown to decipher the anxiety of personal status identity in the process of South Korea’s social transformation,and reflected the multiple semeiotics of South Korea’s social modernity through the correlativity of these movies’ gender relations, power structure,discourse system and moral practices.更多还原