【作者】 赵静；

【导师】 刘佳帅；

【作者基本信息】 山东理工大学 ， 美术（专业学位）， 2025， 硕士

【摘要】 “田园意趣”是根植于中国传统田园文化的审美范畴,其核心是对生态自然、田园生活的审美感知与情感寄托。在当代社会对生态文明日益关注的背景下,如何通过“田园意趣”展现人与自然和谐关系,传承中国审美文化的田园精神,满足人们对和谐生态、诗意栖居的审美需求,就成为当代花鸟画创作的核心要义,也构成了本研究的选题依据。本文共分为四个章节,第一章,当代花鸟画的概念界定及审美类型,对“当代花鸟画”概念进行了界定,又根据表现方式、艺术风格内涵的不同,大致分为几种审美类型:清新审美、奇趣审美、典雅审美、含蓄审美,为后续讨论“田园意趣”在花鸟画中的具体表现奠定了基础。第二章,对“田园意趣”内涵和指向进行了深度的阐述,这种意趣体现了人与自然和谐共生的理想,是对质朴宁静生活的向往,有强烈诗意情感色彩,阐述“田园意趣”在当代花鸟画创作中有审美追求、文化传承等多重指向。第三章,重点探讨了当代花鸟画中“田园意趣”的审美价值,分析这一理念如何在当代艺术生活创作中展现独特的魅力,是一种艺术家在当代生活中对田园意趣的审美追求和对生态文明的审美关照。第四章,基于前文的基础研究,考虑如何将“田园意趣”的内涵转化为艺术创作具体实践。这一理念不仅仅是一种审美追求,更是通过对自然田园景象的细致描绘,捕捉其中乐趣,不再纯粹局限于所看到的物象,而是成为对当代社会问题的艺术回应。最后,把理论研究运用到实际创作中,在当代花鸟画中聚焦工笔花鸟画创作,通过具体的作品创作过程及思考,展现个人在当代花鸟画创作中对“田园意趣”的审美价值追求,并结合时代特征,思考“田园意趣”在当代花鸟画中的价值,以及对当代花鸟画创作中“田园意趣”未来的发展进行思考。更多还原

【Abstract】 Against the backdrop of contemporary society’s growing concern for ecological civilization,the question of how to employ the aesthetic orientation of“pastoral charm”to reveal a harmonious relationship between humanity and nature,while also satisfying people’s desire for a poetic sensibility,has become both the core imperative of modern bird-and-flower painting and the very rationale for this study’s selection of topic.This paper is organized into four chapters.In Chapter 1,we define the concept of contemporary bird-and-flower painting and classify its main aesthetic types.After establishing what“contemporary bird-and-flower painting”entails,we distinguish four broad aesthetic categories—freshness,whimsicality,elegance,and reserve—based on differences in expressive technique and stylistic connotation.This lays the groundwork for our subsequent examination of how“pastoral charm”manifests within the genre.Chapter 2 offers an in-depth exposition of the connotation and orientations of“pastoral charm.”This aesthetic ideal embodies the aspiration for a life of simplicity and tranquility,reflecting an ideal of harmonious coexistence between humans and nature,imbued with strong poetic feeling.We demonstrate that“pastoral charm”in contemporary bird-and-flower painting encompasses multiple aims,including aesthetic pursuit and cultural inheritance.Chapter 3 focuses on the aesthetic value of“pastoral charm”within contemporary bird-and-flower painting.We analyze how this ideal possesses a distinctive allure in the context of modern artistic practice—an artist’s aesthetic quest for pastoral charm in everyday life,as well as their aesthetic engagement with ecological civilization.Chapter 4,building on the preceding theoretical research,considers how to translate the theory of“pastoral charm”into concrete artistic practice.This concept is more than an aesthetic aspiration:through detailed depiction of rural and natural scenes and the capture of their intrinsic delights,it transcends a mere recording of visible subjects to become an artistic response to contemporary social issues.Finally,combining these insights with my own creative work,I apply the theoretical research to practical painting,enriching my personal aesthetic pursuit of“pastoral charm”in modern bird-and-flower painting.I also reflect on how this ideal holds value in today’s artistic climate and contemplate its future development within the genre.更多还原