【作者】 陈卓；

【导师】 王蕾；

【作者基本信息】 兰州大学 ， 艺术硕士·音乐（专业学位）， 2025， 硕士

【摘要】 普罗科菲耶夫的钢琴组曲《罗密欧与朱丽叶》诞生于1937年,系作曲家从同名芭蕾舞剧音乐中节选并重新编创而成,共由十首小品构成。这部作品几乎涵盖了19世纪浪漫音乐与20世纪现代音乐演奏技法。本文以钢琴组曲《罗密欧与朱丽叶》Op.75为研究对象,对普罗科菲耶夫所处的时代背景和和声、曲式、旋律及演奏分析进行叙述。通过研究这些创作特点得出以下演奏结论:1.作品中运用了大量的不协和和声,通过二度、七度甚至更尖锐的和声来制造紧张感,加剧了和声调性不稳定性;2.普罗科菲耶夫常用一些简短的节奏型,通过反复和逐渐变化,进一步地加强了作品的情绪张力;3.敲击式演奏并非单一音色,而是结合速度力度和触键,创造出金属般音色和具有明亮的穿透力的音效;4、在踏板使用中需根据情感与场景的变化调整踏板,结合柔音踏板以及延音踏板去突出音乐的戏剧性以及情感张力。更多还原

【Abstract】 Prokofiev’s’Romeo and Juliet’Piano Suite is an adaptation from the ballet’Romeo and Juliet’,created in 1937,and consists of ten pieces.This work encompasses nearly all of the 19th-century Romantic music and 20th-century modern musical performance techniques.This paper focuses on the piano suite’Romeo and Juliet’Op.75,describing the historical background of Prokofiev’s era,harmony,form,melody,and performance analysis.Through analyzing these creative characteristics,the following performance conclusions are reached:1.The work employs a significant amount of dissonant harmonies,generating tension through the use of seconds,sevenths,or even sharper harmonies,which exacerbates the instability of harmonic tonality.2.Prokofiev frequently utilizes short rhythmic patterns that further enhance the emotional tension of the piece through repetition and gradual variation.3.Percussive playing is not a single tone,but a blend of speed,dynamics,and touch,creating a metallic sound with bright,penetrating quality.4.When using the pedal,adjustments must be made according to the changes in emotion and scene,combining the soft pedal and sustain pedal to emphasize the drama and emotional tension of the music.更多还原