【作者】 张茜；

【导师】 张汉东；

【作者基本信息】 云南大学 ， 艺术设计（MFA）（专业学位）， 2023， 硕士

【摘要】 楚雄高峰彝族火把节有着悠久的历史和丰富的文化内涵,具有十分重要的传承价值。插画是现代视觉设计中非常重要的一种表达形式,可以将文化信息与文化内涵直观呈现于眼前。基于此,对楚雄高峰彝族火把节相关文化特色进行了插画设计的初次尝试,利用插画的视觉语言助力楚雄高峰彝族火把节文化的传播传承。同时,为增加插画的独特性与艺术感,尝试以木刻版画语言与插画设计相融合的创作实践。本文首先介绍楚雄高峰彝族火把节概况,分析楚雄高峰彝族火把节文化特色及其价值所在;其次,探究木刻版画与插画设计之间的关系,通过对木刻版画、木刻版画语言特征及插画设计的相关阐述,了解木刻版画与插画设计之间的渊源。接下来,以木刻版画语言的三个不同维度为基础,以相关案例为依托,探索木刻版画语言在插画设计中的运用方式及运用意义与价值;最后,对本课题插画设计实践的方向与设计方法做了相应规划。对相关民族木刻插画案例分析,并以插画设计风格与表达形式构建本课题插画的木刻语言。在实践过程中,整合楚雄高峰彝族火把节的文化特色输出点,提取四个文化特色主题进行插画的设计,通过木刻实践的方式进行表达,最终创作出带有楚雄高峰彝族火把节文化特色的插画。在接下来的应用探索中,将插画融入文化宣传与文创产品设计中,以积极的姿态传播传承楚雄高峰彝族火把节文化。期望楚雄高峰彝族火把节文化能在多元一体的文化建设中构建其民族的文化自信,与此同时也是借此探寻木刻版画语言在插画设计领域的多种应用与发展方式。更多还原

【Abstract】 Torch Festival of the Yi Ethnic Minority in Gaofeng,Chuxiong has a long history,rich cultural connotation,and significant cultural heritage.In contemporary visual design,illustration is a crucial means of expression due to its ability to visually present cultural information and connotation.This paper is an attempt to create an illustration design for Gaofeng,Chuxiong City’s Torch Festival,celebrating the Yi ethnic minority through the use of illustration’s visual language to facilitate the spread of the festival’s traditions.This paper is also an effort to elevate an illustration’s originality and artistic sensibility by incorporating the language of woodcut printmaking into the design process.The paper begins with an overview of the Torch Festival of the Yi Ethnic Minority in Gaofeng,Chuxiong,followed by an examination of its cultural characteristics and values.Second,the paper will examine the history of woodcut prints and illustration design,including how they evolved,the languages used,and the distinguishing characteristics of woodcut prints and illustrations.The paper uses the three facets of woodcut language and the appropriate cases to examine the significance of using woodcut language in illustration design and what this means.The paper will conclude by planning the direction and design method of illustration design practice,analyzing the relevant ethnic woodcut illustration cases,and constructing the woodcut language of illustration in the form of illustration design style and expression.This paper incorporates the Yi ethnic minority’s Torch Festival’s cultural traditions in Gaofeng,Chuxiong into the illustration’s design process,focusing on four distinct cultural themes.This paper explores how the practice of woodcutting culminated in creating some illustrations with the cultural characteristics of the Torch Festival of the Yi Ethnic Minority in Gaofeng,Chuxiong.The paper then delves into how the illustrations can be used in marketing and creative product design to spread the positive message of the Torch Festival.The Yi ethnic minority in Gaofeng,Chuxiong celebrates its annual Torch Festival in the hopes of bolstering its citizens’ self-confidence as they work to create a more inclusive society.At the same time,this paper intends to investigate how woodcut printmaking has been used and how it has evolved in the context of illustration design.更多还原