【作者】 王玮；

【导师】 侯轶男；

【作者基本信息】 河北师范大学 ， 音乐学， 2014， 硕士

【摘要】 传统戏曲是我国民族艺术宝库中一颗璀璨夺目的明珠。在长期的发展历程中,传统戏曲艺术汲取了其他各门类艺术的“营养”,综合了这些门类艺术的“精华”。因此,从整体结构到细部技法,随处可见传统戏曲中所积淀并反映出的民族审美心理范式。对于现当代民族声乐作品的创作而言,有效地汲取并灵活地运用这些传统性的民族审美心理范式,就能够从根本上拉近民族声乐作品与普通公众之间的距离,为民族声乐培养更多的受众。而且,在继承的基础上还推陈出新,创造出将传统与现代审美理念进行和谐交融的全新审美格调,从而在这个方面有效地推动我国民族声乐的发展。故而,本次论文写作,笔者选择了《论戏曲元素在民族声乐教学创作中的渗透与体现》这个课题。希望通过对经典案例作品的分析,来解读在民族声乐创作中借鉴和运用传统戏曲元素的规律与方法。本论文分为五个部分展开。第一部分为绪论,概括介绍本课题的选题背景及意义、国内外研究现状、研究方法、创新之处、论文结构、研究重、难点等方面的内容;第二部分,界定传统戏曲与民族声乐的概念,并解读二者之间的关系;第三部分,以作品谱例分析为基础,解析传统戏曲元素在民族声乐创作中的运用和体现;第四部分,仍以作品谱例分析为基础,解析传统戏曲元素在民族声乐的一度创作中的运用和体现、从审美视角论述传统戏曲元素的借鉴和运用对民族声乐创作的推动与促进作用;第五部分为结论,对全文进行概括总结。更多还原

【Abstract】 Traditional opera is China’s national treasure house of art in a dazzling pearl.In the long course of its development,the traditional opera art from other arts categories "nutrition",combines the essence of these categories of art"".Therefore from the overall structure to detail techniques,the accumulation of visible everywhere in the Chinese traditional opera and reflects the psychology of national aesthetic paradigm.For the contemporary national vocal music works of creation,effectively absorb and flexible use of these traditional national aesthetic psychology paradigm,can between the national vocal music works with the general public closer fundamentally,vocal music for the nation to cultivate more audience.Moreover,on the basis of inheriting and net to bring forth the new through the old,create the harmonious blend of traditional and modern aesthetic concept of the new aesthetic style,so as to effectively promote the development of Chinese national vocal music in this aspect.Therefore,this thesis writing,the author chose "and reflected" on the infiltration of elements of Chinese opera in the national vocal music in the creation of the subject.Hope that through analysis of a classic case of works,to the interpretation of the reference in the national vocal music and the use of traditional elements of Chinese opera in the rules and methods of.This thesis is divided into six parts.The first part is the introduction,introduces the background and significance of this topic,research status at home and abroad,research methods,innovation,the structure of the thesis,research difficulties and other aspects;the second part,the definition of the concept of traditional opera and national vocal music,and interpret the relationship between the two;the third part,taking the works of music analysis as the foundation,application and reflection of the analysis of traditional opera elements in national vocal music once in the creation of the fourth part,still works;in music analysis as the foundation,the analysis of traditional opera elements in national vocal music was the creation of the application and embodiment;the fifth part,will be based on the three or four part of research results,from the aesthetic angle of view this paper discusses the traditional elements of Chinese opera reference and application of the promotion of national vocal music creation and the promotion of the role;the sixth part is the conclusion,this paper is summarized.更多还原