【作者】 李敏；

【导师】 黄文祥；

【作者基本信息】 广西师范大学 ， 美术（专业学位）， 2025， 硕士

【摘要】 黄君璧一生专注于山水画创作,尤其擅长描绘云雾与瀑布,以水墨表现四季的风晴雨雪及自然变幻。他继承了岭南画派的传统,巧妙融合了中国传统山水画技法与西方绘画的光影效果,形成了细腻的笔墨与独特的云雾表现风格,使作品具有丰富的层次感和空间感,展现出个人独特的艺术面貌。本文旨在探讨黄君璧山水画中的“云法”技法及其在笔者创作中的应用与实践。论文第一章通过梳理宋元至明清云法谱系,揭示黄君璧对“卷云皴”“米点云”等传统的创造性转化;第二章通过对黄君璧“云法”技法的详细解析,包括有笔烘染云法、无笔烘染云法、勾云法及勾染云法,揭示了其在表现山水画云彩中的独特效果与技法特点。;第三章总结了笔者在研究和实践过程中对黄君璧“云法”技法的积累,包括技法的形态分析和具体练习。通过对云的写生练习,探讨了黄君璧“云法”技法在写生中的应用和体会。第四章基于笔者桂林写生实践,通过形态分析与技法临摹,完成从理论认知到笔墨掌控的转化;第四章以《桂岭云梦》创作为例,具体呈现“云法”在构图叙事、笔墨语言、意境营造等方面的实践应用,证明传统技法在当代山水语境中的再生可能。论文总结了黄君璧“云法”对笔者创作的启示,并对后续山水画家在“云法”上的继承与发展进行了展望。笔者通过实践积累了对“云法”的理解,并在创作中不断探索如何将其运用于构图、笔墨表达和意境塑造中,为后续研究黄君璧“云法”技法的艺术家提供参考,并展望其在当代山水画中的传承与发展方向。更多还原

【Abstract】 Huang Junbi dedicated his life to landscape painting,with a particular mastery in depicting clouds,mist,and waterfalls.Through ink wash techniques,he captured the ever-changing natural phenomena across seasons—gentle breezes,clear skies,rain,snow,and the dynamic interplay of light and shadow.Rooted in the traditions of the Lingnan School,he skillfully fused classical Chinese landscape painting methods with Western chiaroscuro effects,developing a refined brushwork style and a unique approach to portraying clouds and mist.His works exhibit rich dimensionality and spatial depth,reflecting his distinct artistic identity.This paper explores the"Yunfa"(cloud techniques)in Huang Junbi’s landscape paintings and their application in the author’s creative practice.Chapter 1 traces the lineage of cloud techniques from the Song-Yuan to Ming-Qing dynasties,highlighting Huang’s innovative reinterpretation of traditional methods such as"scroll cloud texture strokes"(juan yun cun)and"Mi-style dot clouds"(mi dian yun).Chapter 2 provides a detailed analysis of Huang’s"Yunfa,"including youbi hongran(textured cloud-washing with visible brushstrokes),wubi hongran(texture-free cloud-washing),gouyun(contour-defined clouds),and gouran(contour-and-wash combined clouds),elucidating their technical characteristics and unique effects in depicting cloudscapes.Chapter 3 synthesizes the author’s accumulated insights from studying and practicing Huang’s"Yunfa,"incorporating morphological analysis and hands-on exercises.Through field sketching of clouds,the chapter examines the practical application and experiential understanding of these techniques.Chapter 4,grounded in the author’s sketching practices in Guilin,demonstrates the translation of theoretical knowledge into brushwork mastery via morphological analysis and technical emulation.Using the creation of Guiling Yunmeng(Cloud Dreams of Guilin)as a case study,this chapter illustrates how"Yunfa"is applied in compositional storytelling,brush-and-ink language,and atmospheric construction,showcasing the regenerative potential of traditional techniques in contemporary landscape contexts.The study concludes by summarizing the inspirations drawn from Huang Junbi’s"Yunfa"for the author’s creative process and envisioning its inheritance and evolution among future landscape painters.Through practical experimentation,the author deepens their understanding of"Yunfa,"exploring its integration into composition,ink expression,and artistic conception.This research serves as a reference for artists studying Huang’s techniques and contributes to the ongoing dialogue on the preservation and innovation of"Yunfa"in modern Chinese landscape painting.更多还原