节点文献

内蒙古乌拉特地区扬琴艺术的调查与研究

Investigation and Research on Dulcimer Art in Urad Area of Inner Mongolia

【作者】 塔娜;

【导师】 朱文华;

【作者基本信息】 内蒙古师范大学 , 音乐与舞蹈学, 2024, 硕士

【摘要】 内蒙古乌拉特地区,作为蒙古族文化的重要发源地,自古以来便带有鲜明的地域特色与民族风情,扬琴艺术在这片土地深受草原文化的熏陶,发展出独具特色的演奏风格和技巧体系。伴随着现代化进程和文化交流的不断深入,乌拉特地区扬琴艺术面临着传统与创新、保护与发展的双重挑战。内蒙古乌拉特地区扬琴艺术的调查与研究旨在深入了解和探索该地区扬琴艺术的发展。通过对乌拉特地区扬琴艺术进行系统性的调查和研究,关注扬琴艺术与民族民间音乐的融合与发展,探索扬琴这件外来乐器融入少数民族地区音乐中的历史演变轨迹,从理论层面作出宏观的梳理,阐释扬琴音乐中国化进程中,中国少数民族蒙古族对这件世界性民族乐器的独特贡献,使其具有乐器发展史的研究价值。本文以理论与实证研究相结合,采用音乐人类学及跨文化音乐学的研究范式,通过音乐资料的搜集与整理,实证分析乌拉特地区扬琴艺术的演奏风格与曲目体系,探讨其在草原文化背景下的演变机制与实践逻辑。研究显示,乌拉特地区扬琴艺术的演变不仅凸显了地域文化的深刻影响,更体现了民族音乐在现代社会文化多元化背景下的适应性与创新力。乌拉特地区扬琴艺术在传承中不断吸纳外来文化元素,形成了一种“地域混合型”艺术风格,乌拉特扬琴艺术既有反映草原自然环境和社会生活的曲目,也融入了诸如长调、短调的蒙古族传统音乐素材,区别于其他地区扬琴音乐的特点。在教学传承方面,乌拉特扬琴艺术经历了口传心授向专业教育体系过渡的过程,其教材编制、教学模式、师资培养均趋向规范化。然而,在快速发展的时代背景下,乌拉特地区扬琴艺术应紧跟信息化和国际化的新趋势,通过创新教学理念、拓展演奏范围、加强文化传承等多维策略,来实现传统音乐文化的现代转型。在实证考察中,研究亦着重探讨了乌拉特地方扬琴艺术如何渗透当地日常生活、民俗传统及其在身份建构上的意义,诸如是否存在专门机构推动其保护与传播、是否在特定节日庆典中有其表演空间等问题,均为我们深入挖掘并找出答案的关键课题。

【Abstract】 As an important birthplace of Mongolian culture,Urad region in Inner Mongolia has distinctive regional characteristics and ethnic customs since ancient times.The art of dulcimer has been deeply influenced by grassland culture in this land,and has developed a unique performance style and skill system.With the deepening of modernization and cultural exchanges,the dulcimer art in Urad region is facing the dual challenges of tradition and innovation,protection and development.The investigation and research of dulcimer art in Urad area of Inner Mongolia aims to deeply understand and explore the development of dulcimer art in this area.Through the systematic investigation and Research on the dulcimer art in Urad region,this paper focuses on the integration and development of dulcimer art and ethnic folk music,explores the historical evolution path of dulcimer,a foreign musical instrument,integrated into the music of ethnic minority areas,makes a macro comb from the theoretical level,and explains the unique contribution of the Mongolian minority in China to this world-wide ethnic musical instrument in the process of the Sinicization of dulcimer music,so that it has the research value of musical instrument development history.This paper combines theoretical and empirical research,adopts the research paradigm of musical anthropology and cross-cultural musicology,and empirically analyzes the performance style and repertoire system of dulcimer art in Urad region through the collection and collation of music data,and discusses its evolution mechanism and practical logic under the background of grassland culture.The research shows that the evolution of dulcimer art in the Urad region not only highlights the profound influence of regional culture,but also reflects the adaptability and innovation of folk music in the context of modern social and cultural diversity.The Urad dulcimer art has continuously absorbed foreign cultural elements in its inheritance,forming a "regional mixed" artistic style.The Urad Dulcimer art not only reflects the natural environment and social life of the grassland,but also integrates traditional Mongolian music materials such as long and short keys,which is different from the characteristics of the other regions dulcimer music.In terms of teaching inheritance,Urad dulcimer art has experienced the transition from oral teaching to professional education system,and its textbook compilation,teaching mode and teacher training tend to be standardized.However,in the context of the rapid development of The Times,the dulcimer art in the Urad region should keep up with the new trend of informatization and internationalization,and realize the modern transformation of traditional music culture by innovating teaching concepts,expanding the range of performance,strengthening cultural inheritance and other multi-dimensional strategies.In empirical research,the study also focuses on exploring how the local yangqin art in Urad permeates local daily life,folk traditions,and its significance in identity construction.Issues such as whether there are specialized institutions to promote its protection and dissemination,and whether there are performance spaces in specific festival celebrations are all key issues that we need to explore and find answers to.

  • 【分类号】J632.51
节点文献中: 

本文链接的文献网络图示:

本文的引文网络