【作者】 孙健；

【导师】 刘琛； 黄菲；

【作者基本信息】 湖南大学 ， 新闻与传播， 2023， 硕士

【摘要】 现代化浪潮席卷而来,理想与现实的对立加深了人们对外部世界与个体价值的怀疑,作为解读社会现象和社会情绪的一把钥匙,新世纪国内黑色幽默电影在荒谬、夸张的叙事中放大了人与环境的冲突,靠近了生活的本质真实。继承我国古典叙事中的“怪诞式写法”传统,受到西方文学创作观念的影响,并植根于本国的历史文化土壤,新世纪国内黑色幽默电影叙事从“宏大叙事”中跳脱出来,采用个体经验的“私人叙事”,以小人物的视角观世间百态。新世纪国内黑色幽默电影叙事具有荒诞性的特点。通过零聚焦和外聚焦,新世纪国内黑色幽默电影制造了“第四堵墙”,在间离、荒诞的叙事中深化人们对荒诞现实的体悟;傻子、动物和宗教视点营造了陌生化的叙事效果;不同身份的叙述者附着在影片人物中,以百态人物的视角对现实进行冷思考。在叙事时间层面,新世纪国内黑色幽默电影以情感逻辑代替时间逻辑;在空间叙事层面,乡村空间、城市空间、心理空间三重渗透,是新世纪国内黑色幽默电影在叙事过程中对非理性世界的隐喻。同时,新世纪国内黑色幽默电影在叙事过程中借助人物肢体动作符号、物像符号、色彩符号等视觉符号和拧巴式的语言、杂糅性的方言、市井化的粗语等听觉符号构建具有深刻内涵的现实社会,讲述人们自身的生存境遇。新世纪国内黑色幽默电影的荒诞化叙事实现了审美价值与现实价值的统一。在美学层面,新世纪国内黑色幽默电影叙事兼有“喜”的外衣和“悲”的价值观表达,悲喜交加之间强调的是环境与人的异化,为人们带来复合的情感体验;在现实层面,新世纪国内黑色幽默电影叙事实现审美层面的超越,消解宏大的叙事视角下,电影以戏谑的态度面对人与环境的脱节,关注人们精神失守的困境,促使人们思考自我认同问题,并帮助人们形成与社会环境和谐共处的生存之道。更多还原

【Abstract】 As the tide of modernization comes,the opposition between ideal and reality deepens people’s doubts about the external world and individual value.As a key to interpreting social phenomena and social emotions,the domestic black humorous films in the new century amplify the conflict between people and the environment in the absurd and exaggerated narration,and get close to the essential reality of life.Inheriting the tradition of "grotesque writing" in Chinese classical narration,influenced by western literary creation ideas,and rooted in the country’s historical and cultural soil,the narrative of domestic black humorous films in the new century has been removed from the "grand narrative",and adopted the "private narrative" of individual experience to view the world from the perspective of small people.The domestic black humor film narrative in the new century has the characteristics of absurdity.Through zero focus and external focus,domestic black humor films in the new century create the "fourth wall",deepening people’s understanding of absurd reality in the distance and absurd narrative.Fools,animals and religious perspectives create defamiliarization narrative effects;Narrators with different identities are attached to the characters in the film,and they think cold about the reality from the perspective of various characters.At the level of narrative time,the new century domestic black humor films replace the logic of time with the logic of emotion.At the spatial narrative level,the triple penetration of rural space,urban space and psychological space is a metaphor for the irrational world in the narrative process of the domestic black humor films in the new century.At the same time,in the narrative process of the new century,the domestic black humorous films use visual symbols such as characters’ physical symbols,image symbols,color symbols,and auditory symbols such as twisting language,hybrid dialect,and vulgar language to construct a realistic society with profound connotations,and tell about people’s own living conditions.The absurdist narration of domestic black humor films in the new century has realized the unity of aesthetic value and realistic value.On the aesthetic level,the narrative of black humor films in the new century has both the clothing of "joy" and the expression of "sorrow".The combination of sorrow and joy emphasizes the alienation of environment and human,which brings compound emotional experience to people.In reality,the narrative of domestic black humor films in the new century has achieved aesthetic transcendence.From the perspective of dispelling the grand narrative,the films face the disconnection between people and the environment with a playful attitude,pay attention to the plight of people’s spiritual loss,prompt people to think about the problem of self-identity,and help people to form a way of living in harmony with the social environment.更多还原