胡人醉酒踏歌来

【作者】 刘畅；

【导师】 贾嫚；

【作者基本信息】 陕西师范大学 ， 丝绸之路乐舞文化研究， 2022， 硕士

【摘要】 魏晋南北朝是中西文化交流的重要时期,西域文化随着丝绸之路的开通进入中原,外来的文化、艺术、乐舞等源源不断的进入我国。正是在这一文化交流频繁的历史背景之下,陶瓷乐舞扁壶应运而生。具有时代特征的乐舞扁壶从装饰纹样、胡人形象再到乐器和舞姿等方面均表现出外来文化的痕迹。根据考古资料以及图书、国内外博物馆等搜集途径中,现发现有一定数量的北朝时期乐舞扁壶。这一时期的乐舞扁壶形象具有明显的异域风格,表现出西域文化随着丝绸之路的传播进入中国以后,我国的文化与艺术增添了新的类型,也反映了外来文化进入中国以后的传播以及发展。这一时期的外来文化对我国的艺术文化起着非常重要的作用。正因如此,北朝时期对外交流的频繁以及大量外来文化的传入,使这一时期的乐舞扁壶从造型、纹样和乐舞内容中均出现有明显的异域文化特征。鉴于此,本文以北朝时期乐舞扁壶为研究对象,通过整理与梳纳,并结合图像以及文史资料研究此乐舞扁壶。论文整体分为四个部分构成。首先,第一部分为整理与分析有关乐舞扁壶的文史资料以及相关著作,从选题缘由及意义、研究综述、创新之处和研究方法作以叙述。其次,第二部分为查阅相关资料,梳理所有北朝时期考古文物中乐舞扁壶的资料和图片并进行整理与分析,将这些资料图像按照有明确出土地的乐舞扁壶和国内博物馆馆藏以及国外博物馆馆藏的乐舞扁壶进行分类,对乐舞扁壶中的图像内容展开叙述。之后,第三部分将乐舞扁壶中出现的乐器和舞蹈分别展开论述。先对扁壶中所出现的外来乐器琵琶、箜篌、铜钹、横笛展开论述,再对扁壶中的舞蹈形象展开论述,并通过其舞蹈形象论述胡舞与酒之间的关系。最后,从乐舞扁壶中所呈现出的文化交融进行分析,分别从受到外来文化的器型以及中原化的制作,再对乐舞扁壶中不同文化元素,以及对乐舞扁壶中的乐舞文化展开论述。文章题目诗意化的反映了乐舞扁壶中的乐舞现象,所以,本文通过收集北朝时期乐舞扁壶图像,从音乐舞蹈、文化交融等方面,分析乐舞扁壶中所呈现的中西文化交流印记。更多还原

【Abstract】 The Wei,Jin,southern and Northern Dynasties was an era of integration of Chinese and Western cultures.Western culture entered the Central Plains with the opening of the Silk Road,and foreign culture,art,music and dance continued to enter China.Under the historical background of frequent cultural exchanges,ceramic music and dance flat pots came into being.The music and dance flat pot with the characteristics of the times shows the traces of foreign culture from the aspects of decorative patterns,the image of Hu people,to musical instruments and dancing posture.According to archaeological materials,books,museums at home and abroad,a certain number of music and dance flat pots in the Northern Dynasty have been found.The image of music and dance flat pot in this period has an obvious exotic style,which can show that after the western culture entered China with the spread of the Silk Road,it added a new type to China’s culture and art.It also reflects the spread and development of foreign culture after entering China,indicating that foreign culture plays a very important role in China’s art and culture.For this reason,the frequent foreign exchanges and the introduction of a large number of foreign cultures in the Northern Dynasty made the music and dance flat pot in this period have obvious foreign cultural characteristics in shape,pattern and music and dance content.In view of this,this paper takes the flat pot of music and dance in the Northern Dynasty as the research object,collects and arranges it,and studies it combined with images and cultural and historical data.The whole paper is divided into four parts.Firstly,the first part is to sort out and analyze the cultural and historical materials and related works about the flat pot of music and dance,which is described from the reason and significance of the topic,research review,innovation and research methods.Secondly,the second part is to consult relevant materials,sort out and analyze the materials and pictures of music and dance flat pots in all archaeological relics of the Northern Dynasty,and classify these materials and images according to the music and dance flat pots with clear land,the collection of domestic museums and the collection of foreign museums,so as to describe the image content of music and dance flat pots.After that,the third part discusses the musical instruments and dance in the flat pot of music and dance respectively.This paper first discusses the foreign musical instruments pipa,harp,cymbal and horizontal flute in the flat pot,then discusses the dance image in the flat pot,and discusses the relationship between Hu dance and wine through its dance image.Finally,it analyzes the cultural blending in the flat pot of music and dance,respectively from the modeling of foreign culture and the production of Central Plains,and then discusses the different cultural elements in the flat pot of music and dance,as well as the music and dance culture in the flat pot of music and dance.The title of the article poetically reflects the phenomenon of music and dance in the flat pot of music and dance.Therefore,by collecting the images of the flat pot of music and dance in the Northern Dynasty,this paper analyzes the imprint of cultural exchange between China and the West in the flat pot of music and dance from the aspects of music and dance and cultural blending.更多还原