【作者】 张杰；

【导师】 成湘丽；

【作者基本信息】 新疆大学 ， 中国语言文学， 2022， 硕士

【摘要】 中华大地上众多的名山大川大都获得历代文人墨客的描绘与赞美,诗人们留下的诗作更是吸引着人们对山岳的向往与想象。民国时期各界的仁人志士来到新疆,充满神奇色彩的天山给诗人们留下了深刻印象与审美感受,诗人们由此获得诗词创作的灵感,留下众多描写和赞颂天山的旧体诗词。这些作品不仅是诗人自身审美经验及审美感受的记录,同时也形塑着天山的形象,影响着人们对天山的认知与审美,从而超越了时空的限制,成为一种富含文化内涵的旅游资源。本文以此为切入点,研究民国时期人们笔下的天山形象,进而对新疆现代旧体诗词进行进一步的挖掘和整理。通过现代新疆旧体诗词对于天山的描写,我们看到的是具有丰富审美价值和文化内涵的天山形象,论文拟从自然呈现、审美文化和文化记忆三方面展开分析。第一章主要从天山自然物象入手分析天山形象的自然呈现,分析主要基于客体视角呈现出的天山雪景与自然风物特点。第二章主要从审美类型出发分析天山形象的整体特征和局部特征及其成因。在抒情主人公的主观审美体验里,天山形象不仅仅是单纯的风景再现,而更多加入了诗人的情感体认与审美想象,以此呈现出天山整体上崇高美、优美、人格化的形象类型,以博格达峰和天池为代表突出了新疆山水美学与中华传统美学的内在统一。第三章重点分析天山形象的文化内涵和集体记忆,探讨天山碑铭、神话传说中蕴含的文学记忆和江南记忆、中华名山中蕴含的地理记忆。从天山自然物象为切入点逐渐深入探究天山多种审美类型的生成及蕴含的文化内涵,以此对天山展开全面、整体、细致的形象研究。这些天山诗词作品描摹了新疆的地域风景,天山中的自然风景与人文历史既是诗词的重要构成,也由于作者的生花妙笔被赋予了人文精神,成为活的地域景观。诗人们留下的诗词不仅是个人观景的记录更对天山风景有着重要的形塑意义。通过集中梳理阐释现代新疆旧体诗词对天山风景的描写和文化底蕴的发现,可提升天山风景的知名度以及人文价值,吸引更多的游人慕名而来发现天山之美,从而理解新疆自然地理与人文地理的关系,增强天山文化传播力度,进一步丰富对天山人文地理特征和历史文化内涵的认识。同时,突出天山在中华文化发展中的重要作用,深化对天山文化符号内涵的认识,阐释天山形象蕴涵的中华民族精神内涵。更多还原

【Abstract】 Most of the famous mountains and rivers in the land of China have been depicted and praised by the literati and inkers of previous generations,and the poems left by the poets have attracted people’s yearning and imagination for the mountains.During the Republic of China period,benevolent people from all walks of life came to Xinjiang,and the magical Tianshan Mountain left a deep impression and aesthetic feeling on the poets,and the poets gained inspiration for poetry creation,leaving many old-style poems that described and praised the Tianshan Mountains.These works are not only a record of the poet’s own aesthetic experience and aesthetic feelings,but also shape the image of Tianshan Mountain,affect people’s cognition and aesthetics of Tianshan Mountain,thus transcending the limitations of time and space and becoming a tourism resource rich in cultural connotations.This article takes this as a starting point to study the image of Tianshan written by people during the Republic of China period,and then further excavate and sort out the modern old style poetry in Xinjiang.Through the description of the Tianshan Mountains in modern Xinjiang old-style poems,we see the image of the Tianshan Mountains with rich aesthetic value and cultural connotations,and the paper intends to analyze from three aspects: natural presentation,aesthetic culture and cultural memory.The first chapter mainly analyzes the natural presentation of the image of Tianshan Mountain from the perspective of the natural objects of the Tianshan Mountains,and analyzes the characteristics of the snow scenery and natural wind objects of the Tianshan Mountains presented mainly from the perspective of the object.The second chapter mainly analyzes the overall characteristics and local characteristics of the image of Tianshan and its causes from the perspective of aesthetic types.In the subjective aesthetic experience of the lyrical protagonist,the image of Tianshan Mountain is not only a simple reproduction of scenery,but also adds the poet’s emotional recognition and aesthetic imagination,so as to present the sublime beauty,beauty and personification of Tianshan mountain as a whole,and highlight the inner unity of Xinjiang landscape aesthetics and traditional Chinese aesthetics represented by Bogda Peak and Tianchi.The third chapter focuses on the analysis of the cultural connotation and collective memory of the image of tianshan mountain,and explores the literary memory contained in the tianshan inscriptions,myths and legends,the memory of Jiangnan,and the geographical memory contained in the famous mountains of China.From the natural objects of Tianshan Mountain as the starting point,we gradually deeply explored the generation of various aesthetic types of Tianshan Mountain and the cultural connotations contained in it,so as to carry out a comprehensive,holistic and meticulous image study of Tianshan Mountain.These Tianshan poetry works depict the regional landscape of Xinjiang,and the natural scenery and humanistic history in the Tianshan Mountains are not only an important component of poetry,but also endowed with a humanistic spirit due to the author’s raw flowers and wonderful brushwork,becoming a living regional landscape.The poems left by the poets are not only records of personal viewing,but also have important shaping significance for the scenery of the Tianshan Mountains.By concentrating on combing and interpreting the description and cultural heritage of the Tianshan Landscape in modern Xinjiang Old Style Poetry,it can enhance the popularity and humanistic value of the Tianshan Landscape,attract more tourists to discover the beauty of the Tianshan Mountains,so as to understand the relationship between xinjiang’s physical geography and human geography,enhance the cultural dissemination of the Tianshan Mountains,and further enrich the understanding of the human geography characteristics and historical and cultural connotations of the Tianshan Mountains.At the same time,it highlights the important role of Tianshan in the development of Chinese culture,deepens the understanding of the connotation of Tianshan cultural symbols,and explains the spiritual connotation of the Chinese nation contained in the image of Tianshan Mountain.更多还原