【作者】 朱磊；

【导师】 朱惠国；

【作者基本信息】 华东师范大学 ， 中国古代文学， 2022， 硕士

【摘要】 词谱研究涉及词调、词律、词韵等诸多词的本质问题,正逐渐成为当今词学研究的热点。与受到普遍关注的明清词谱不同,当代词谱鲜有研究者提及。实际上,当代词谱的编纂在学术史上具有明显的延续性,与明清词谱学理同源。其中中国香港、台湾地区的词谱编撰活动,既能紧承词学传统,也是不断递升的当代学术史的重要组成部分,尤其值得关注。黄徵《词林韵准》以韵部编排词调,异于旧谱,也早于《唐宋词格律》的出版,是港台地区学者在词谱设计方面新的尝试;张梦机《词律探原》专注唐五代词调,为词谱史上第一部断代词谱,勾勒出唐五代词调的发展流变的完整面貌;严宾杜《词范》是一部对《钦定词谱》进行增删改订的大型词谱,完善了《钦定词谱》在订律、分体、四声上的缺漏。其余如《实用词谱》《四照花室词谱》《孟玉词谱》《漪痕馆新词谱》《长啸斋填词图例》《香斋词法图范》体例上各有创新、内容各有侧重,兼具研究价值与使用价值。总的来说,当代中国港台地区的词谱有如下三个特点:其一,词谱规范与实际创作经验的结合十分紧密。其二,体例不拘泥于明清旧谱,新人眼目。其三,站在特殊的历史节点,将敦煌文献、域外文献引入词谱,具有较广的文献视野。港台地区学者编纂的词谱展现出了不同于明清词谱的新向度,是中国当代学术史的重要组成部分。更多还原

【Abstract】 The study of Ci tone and rhythm,which involves a lot of essential questions about Ci,is becoming a hot topic in the study of Ci.Different from the Ci pu in Ming and Qing dynasties,which received widespread attention,the contemporary Ci Pu are rarely mentioned by researchers.In fact,the compilation of contemporary Ci Pu has obvious continuity in the academic history,which is identical with the theory of Ci Pu in the Ming and Qing dynasties.In particular,the activities of Ci Pu compilation in Chinese,Hong Kong and Taiwan region are worthy of special attention,as they not only closely followed the tradition of Ci,but also constitute an important part of contemporary academic history.Huang Zheng’s Ci Lin Yun Zun arranges the intonation with rhyme,which is different from the old score and earlier than the tang and Song Ci Ge Lv.It is a new attempt in the design of Ci Pu by Scholars in Hong Kong and Taiwan region.Zhang Mengji’s A Probe into Ci Law focuses on ci tone of Tang and Five Dynasties,which is the first dynastic Ci Pu in the history of Ci Pu and outlines a complete picture of the development and evolution of ci tone of Tang and Five Dynasties.Yan Bindu’s Ci Fan is a large scale Ci Pu which adds,deletes and revises the Qin Ding Ci Pu,and improves the defects of the Qin Ding Ci Pu in the pattern,division and four tones.The rest,such as Practical Ci Pu,Sizhao Huashu Ci Pu,Meng Yu Ci Pu,Yi hen Museum new Pu,Chang Xiao Zhai Ci Pu,Xiang Zhai CI Pu,have their own innovations in style,their own emphasis in content,and both research value and use value.In general,there are three characteristics of contemporary Ci Pu in Hong Kong and Taiwan region.First,the standard of ci music is closely combined with practical writing experience.Second,the style is not confined to the Ming and Qing Ci Pu in dynasty Ci Pu,but showed a brandly new impression.Thirdly,standing at the special historical node,the dunhuang literature and foreign literature are introduced into the Ci Pu,which has a wider literature vision.Ci Pu compiled by scholars in Hong Kong and Taiwan region show a new dimension different from that of Ming and Qing Dynasties,and are an important part of the contemporary academic history of China.更多还原