【作者】 朱磊；

【导师】 陈华明；

【作者基本信息】 四川大学 ， 新闻与传播， 2021， 硕士

【摘要】 “空间转向”介入到传播学研究中打开了从空间媒介考察城市传播的新向度,在中介化研究范式的指导下,实体空间于城市传播中的媒介角色被重新定位,作为“媒介”的实体空间重组了城市传播格局,强调了城市空间作为“中介物”与人的沟通关系。茶馆对于成都的意义不仅在于一个富有地方特性的实体空间,更是一个能够建立文化图景和提供文化实践的媒介空间,在不同权力主体间建立信息传输、互动交往与意义共享的传播功能,并通过丰富的空间形态赋予传播活动以文化内涵,也在同其他权力主体的交流中进行关系再造。作为成都城市空间的重要组成部分,茶馆将日常社会生活的空间实践集中于反映“休闲”话语的中介地带,由此联结起身体经验与文化景观,私有空间与公共空间,构建出基于地域文化认同的“想象共同体”。因此,本文以城市传播为理论框架,将茶馆看作一种空间媒介,重点关照茶馆在实体空间、精神空间、休闲文化空间三个面向的空间形态中所承担的不同传播功能,进而探究茶馆中空间生产,传播实践以及社会关系,以此解读茶馆作为城市休闲空间的媒介角色定位。本文以成都城市休闲空间“鹤鸣茶社”作为研究对象,综合运用参与式观察和深度访谈等质性研究方法。借助索亚的“第三空间”概念,探究茶馆作为空间媒介在不同形态下所展开的不同层面的传播功能。研究发现,在物质实体形态层面,鹤鸣茶社拥有独特的美学空间,通过休闲目的指向,构建出人们对于安逸生活的景观想象,显示出实体空间在信息交流与身体体验方面的媒介特性。通过时间流动和空间利用两个方面打造出一个多元文化融汇的体验空间,并不断进行自我整合,反映出城市休闲文化空间的个性和多样性。在精神空间形态层面,茶馆空间具有地方认同和公共交往的媒介特性。空间参与者在茶馆空间中联动身体与想象,构建起精神层面的交流。同时作为都市地景,鹤鸣茶社也是城市意象的记忆存在,从开放共享的空间中走向交往前台,成为汇集多元文化的城市客体。休闲文化空间形态层面,在传播实践、意义共享、沟通方式三个方面昭示了茶馆空间关于文化传承与关系再造的媒介特性。茶馆日常的传播活动受到仪式感的召唤,体验方式成为现代城市的空间感知。陌生人的相遇实现了文化空间内的关系重构,并基于共同的地方理念建立起全新的社会关系网络。同时茶馆空间也是城市中的消费空间,在传统与流行中不断摇摆。此外,茶馆空间还作为城市更新的一部分建立起城市文化、地方情感、公共领域之间的沟通方式。经由空间媒介的中介,空间作为媒介连接了地点与场所、个体与共同体、空间与城市直接的关系,从而建构起城市空间实践的崭新图景。本文的创新之处在于积极转变研究视角,聚焦于中国社会语境下茶馆作为具有公共理性意义的文化空间“嵌入”到地方,从城市传播中的空间研究出发,探讨空间媒介的不同形态在城市休闲文化的建构过程中所承担的不同传播功能,集中剖析空间、城市与人之间的关系格局,以此彰显城市休闲空间的媒介价值。本文的不足之处在于选取了当下时空中茶馆空间媒介的横截面进行考察,对具有百年历史的鹤鸣茶社没有做细致的历时性分析,期望在以后的研究可以覆盖到更大的时间范畴,对空间媒介的研究进行补充。更多还原

【Abstract】 The involvement of "spatial turning" in the study of communication opens a new dimension of urban communication from the space media.Under the guidance of the intermediary research paradigm,the role of physical space in urban communication has been repositioned as a "media".The physical space reorganizes the urban communication pattern and emphasizes the communication relationship between urban space as an "intermediary" and people.The significance of the teahouse in Chengdu is not only a physical space with local characteristics2 but also a media space that can establish a cultural landscape and provide cultural practices.Teahouse establishes the functions of information transmission2 interactive communication and meaning sharing among different power subjects.And teahouse endows the space with social and cultural connotation through communication activities2 and also reshapes the relationship in the exchange with other power subjects.As an important part of Chengdu’s urban space2 teahouse focuses on the spatial practice of daily social life in the intermediary zone reflecting “leisure” discourse 2 thus connecting physical experience with cultural landscape2 private space and public space2 and constructing an “Imaginary Community” based on regional identity.Therefore 2 based on the theoretical framework of urban communication2 this article regards the teahouse space as a medium2 focuses on the three dimensions of the teahouse as physical space2 spiritual space2and cultural space.Then this article explores the space production2 communication practice and social relations in the teahouse2 and interpret the media role of the teahouse as urban leisure space.This article takes Chengdu’s leisure space “Heming Teahouse” as the research object2 and qualitative research methods such as participatory observation and indepth interviews are comprehensively used.With the help of Edward W.Soja “third space” concept2 it explores the different levels of communication functions of the teahouse as a space medium in different forms.The study found that at the level of physical form2 Heming Teahouse has a unique aesthetic space.Through the purpose of leisure2 it constructs people’s landscape imagination of comfortable life2 showing the media characteristics of physical space in terms of information exchange and physical experience.Through the flow of time and the use of space2 a multicultural experience space is created2 and self-integration is continuously carried out2 reflecting the personality and diversity of the urban leisure cultural space.At the level of spiritual space form2 teahouse space has the media characteristics of local identity and public communication.Space participants link body and imagination in teahouse space to build spiritual communication.At the same time2 as an urban landscape2 Heming Teahouse is also a memory of the image of the city2 moving from an open and shared space to the front of communication2 becoming an urban object that gathers multiple cultures.At the spatial form level of leisure culture2 the media characteristics of cultural inheritance and relationship reconstruction in teahouse space are revealed in three aspects: communication practice2 meaning sharing and communication mode.The daily communication activities of the teahouse are summoned by the sense of ritual2 and the way of experience becomes the spatial perception of the modern city.The encounter of strangers realizes the reconstruction of the relationship in the cultural space2 and establishes a new social network based on the common local concept.At the same time2 the teahouse space is also a consumption space in the city2 constantly swinging in tradition and fashion.At the same time2 the teahouse space is also the consumption space in the city 2 which swings constantly between tradition and popularity.In addition 2 the teahouse space is also part of the urban renewal 2establishing a communication method between urban culture2 local emotions2and public realm.Mediated by the space devices,space-as-media reconstruct the relations of location and place2 individual and community2 space and city.The innovation of this article is to actively change the research perspective2 focusing on the “embedding” of teahouse as a cultural space with public rationality in the Chinese social context.Starting from spatial research in urban communication2 this article discusses the different communication functions of different forms of space media in the construction of urban leisure culture2 and focuses on the analysis of the relationship between space2 city and people2 so as to highlight the media value of urban leisure space.The disadvantage of this article is that only the cross-section of the current space-time space media is selected for investigation 2 and no detailed diachronic analysis has been made for the 100-year-old Heming Teahouse.It is hoped that future research can cover a larger time range and supplement the research on the space media of teahouse.更多还原