【作者】 乌日娜；

【导师】 艾妮莎；

【作者基本信息】 内蒙古工业大学 ， 设计学， 2023， 硕士

【摘要】 内蒙古地区的召庙壁画极具地域文化特色。鄂尔多斯乌审召、包头五当召与昆都仑召皆为清朝所建的格鲁派寺院,且都有清代壁画留存,这些壁画将藏画题材样式、蒙古文化以及中原汉地的表现手法融于一身,形成了内蒙古地区独有的壁画艺术。但由于召庙间不同的地理位置、不同的建寺时间以及不同的审美倾向,三个召庙的壁画形成了风格不同的壁画形式。通过对三个召庙壁画的图像题材、风格、色彩结构、构图形式等多角度进行分析,探讨鄂尔多斯和包头地区清代召庙壁画不同的装饰特征。本研究以清代为时间主线,以内蒙古鄂尔多斯地区与包头地区为地域范畴,以乌审召德格都苏莫殿、五当召苏古沁殿以及昆都仑召大雄宝殿清代壁画为研究对象,在田野调查、图像采集、图像识别的基础上以艺术设计学的角度切入,对壁画装饰特点进行分析,结合文献归纳法,从历史人文背景的视角对壁画内容进行探讨。多维度对比探讨乌审召德格都苏莫殿、五当召苏古沁殿、昆都仑召大雄宝殿同题材壁画的装饰特征,梳理内蒙古清代召庙壁画发展的历史脉络。基于壁画数字化保护相关文献及课题组项目,提出关于内蒙古清代召庙壁画的数字化保存技术。分为五个章节展开讨论:第一章,绪论。第二章从历史角度梳理鄂尔多斯与包头地区召庙地缘环境与人文背景,总结召庙壁画的阶段性特征,分析清代社会政治环境、文化思想与生活习俗等因素对召庙壁画的影响。第三章对乌审召德格都苏莫殿、五当召苏古沁殿、昆都仑召大雄宝殿的清代召庙壁画进行图像识别研究,从图像位置、识别、装饰三个角度分析内蒙古地区清代召庙壁画的艺术特点。第四章通过壁画背景、壁画内容、绘画技法与风格三方面阐述三座殿宇壁画对比研究的意义,从内容、色彩、构图三个方面将三座殿宇中同题材壁画做横向对比,探究鄂尔多斯与包头召庙壁画不同的艺术特色与审美,进而得到清代时期壁画绘制技法的普适性。第五章对乌审召德格都苏莫殿、五当召苏古沁殿、昆都仑召大雄宝殿的清代召庙壁画病害进行分析并提出数字化保存技术。更多还原

【Abstract】 The murals of the Temple in Inner Mongolia have strong regional cultural characteristics.Ordos Wushenzhao,Baotou Wudangzhao,and Kundulun Zhao are all Gelug style temples built during the Qing Dynasty,and all have preserved Qing Dynasty murals.These murals integrate Tibetan painting themes and styles,Mongolian culture,and the expression techniques of the Central Plains Han region,forming a unique mural art in Inner Mongolia.However,due to the different geographical locations,construction times,and aesthetic tendencies among the three call temples,the murals of the three call temples have formed different styles of mural forms.By analyzing the image themes,styles,color structures,composition forms,and other aspects of the murals of the three temples,this paper explores the different decorative features of the Qing Dynasty temple murals in the Ordos and Baotou regions.Taking the Qing Dynasty as the main time line,taking the Ordos region and Baotou region of Inner Mongolia as the regional category,taking the murals of the Qing Dynasty in D’Gedu Du Sumo Hall,Wudang Zhao Su Guqin Hall and Kundulun Zhao the Shakya Mani Hall as the research objects,based on field research,image collection and image recognition,this study analyzes the characteristics of mural decoration from the perspective of art design,and combines the literature induction method,Exploring the content of murals from the perspective of historical and cultural background.A multi-dimensional comparison is made to explore the decorative characteristics of the murals of the same theme in Wushenzhao D’Gedu Sumo Hall,Wudangzhao Suguqin Hall,Kundulun the Shakya Mani Hall,and to sort out the historical context of the development of the murals in the temple in Inner Mongolia in the Qing Dynasty.Based on relevant literature and research group projects on digital protection of murals,proposes digital preservation technology for the Qing Dynasty temple murals in Inner Mongolia.Divided into five chapters for discussion: Chapter 1,Introduction.Chapter 2summarizes the geological environment and cultural background of the temple murals in the Ordos and Baotou regions from a historical perspective,summarizes the phased characteristics of the temple murals,and analyzes the influence of factors such as the social and political environment,cultural ideology,and living customs in the Qing Dynasty on the temple murals.The third chapter carries out image recognition research on the murals of the Qing Dynasty temple in D’Gedu Sumo Hall,Wudang Suguqin Hall,Kundulun the Shakya Mani Hall,and analyzes the artistic characteristics of the murals of the Qing Dynasty temple in Inner Mongolia from three angles of image location,recognition,and decoration.Chapter 4 elaborates on the significance of comparative research on the murals of the three temples from three aspects: background,content,painting techniques,and style.It horizontally compares the murals of the same theme in the three temples from three aspects: content,color,and composition,exploring the different artistic characteristics and aesthetics of the murals in Ordos and Baotou temple,and thus obtaining the universality of mural painting techniques in the Qing Dynasty.The fifth chapter analyzes the mural diseases of the Qing Dynasty’s Temple in Wushen Zhaode D’Gedu Sumo Hall,Wudang Zhaosu Guqin Hall and Kundulun Zhaoneneneba Mahavira Hall,and proposes digital preservation technology.更多还原