【作者】 王瑞；

【导师】 王璐；

【作者基本信息】 山西大学 ， 艺术学理论， 2023， 硕士

【摘要】 琉璃艺术作为中国古代的传统文化之一,是中国古建筑装饰的重要组成部分,在建筑中具有特定的功能性和装饰性。本文以山西州学文庙建筑琉璃为主体,通过实地考察法、图像学研究法并结合古籍、期刊等文献资料作为理论依据,对其建筑上的琉璃装饰艺术进行研究。从建筑琉璃鸱吻、小兽、脊剎的造型进行研究,分析山西州学文庙建筑琉璃神兽的造型特征及烧制过程中使用的堆塑、贴塑、线塑的塑造手法;对山西州学文庙中的建筑琉璃浮雕的题材和样式进行展开研究,分析山西州学文庙中建筑琉璃浮雕中存在的对称、重复的形式特征;对山西州学文庙中建筑琉璃造型釉色研究,推断釉色在晋南、晋北地区环境中产生不同的因素;对山西州学文庙建筑琉璃的儒家文化内涵进行剖析,可推出山西州学文庙建筑琉璃中体现了儒家“礼、义、仁”的核心思想,也体现了文庙“庙学合一”的教化传承功能。本文从艺术学理论视角出发,从儒家文化与琉璃艺术的联系中分析研究山西州学文庙建筑琉璃的造型图式、样式题材与儒家文化内涵。在研究中发现,琉璃装饰文化的多文价值体系是山西州学文庙儒家思想文化的重要体现;山西州学文庙中的琉璃构件造型多样,题材丰富,充分表明了人们对美好事物的追求;山西州学文庙中的琉璃釉色与规制形态彰显了等级严格的封建礼制。希望通过此次研究能够填补山西州学文庙建筑琉璃造型研究的空白,深化山西传统建筑研究,对山西州学文庙建筑的研究做出一些积极有益的贡献。更多还原

【Abstract】 As one of the traditional culture of ancient China,the glass art is an important part of the decoration of ancient Chinese architecture,which has a specific function and decoration in architecture.This paper takes the architectural glaze of Shanxi Zhou Confucian Temple as the main body,through the field investigation method,image study method and combined with ancient books,periodicals and other documents as the theoretical basis,to study its architectural glaze decorative art.From architectural glaze,vultures,small animals and ridge brakes,the molding characteristics of glazed gods in the architecture of the Temple of Learning and Literature in Shanxi Province were studied and the molding techniques of piled,pasted and threaded sculptures used in firing were also analyzed.This paper studies the theme and style of the glass reliefs in Shanxi Zhou Confucian Temple,and analyzes the symmetrical and repeated form features in the reliefs in Shanxi Zhou Confucian Temple.Based on the study on the glaze color of the architectural glaze in the Temple of Learning and literature in Shanxi,it is concluded that the glaze color has different factors in the environment of South Shanxi and North Shanxi.By analyzing the connotation of Confucian culture in the architectural glass of Shanxi Zhou Confucian Temple of Literature,it can be concluded that the architectural glass of Shanxi Zhou Confucian Temple reflects the core thoughts of Confucian "rites,righteousness and benevolence",and also reflects the function of cultural inheritance of "integration of temple and learning".In this paper,from the perspective of art theory,from the connection between Confucian culture and glass art analysis of Shanxi Zhou Confucian Temple architectural glass modeling schema,style subject matter and Confucian cultural connotation.It is found that the multi-culture value system of glaze decoration culture is an important reflection of the Confucian thought culture of Shanxi Zhou Confucian Temple.The glass structure in Shanxi Zhou Confucian Temple has various shapes and rich themes,which fully shows people’s pursuit of beautiful things;The glaze color and form of regulation in the Temple of Learning and literature in Shanxi show the strict feudal etiquette.It is hoped that this study can fill in the blank of glass modeling research of Shanxi Zhou Confucian Temple architecture,deepen the research of Shanxi traditional architecture,and make some positive and beneficial contributions to the research of Shanxi Zhou Confucian Temple architecture.更多还原