【作者】 王隽；

【导师】 李丽萍；

【作者基本信息】 兰州大学 ， 音乐（专业学位）， 2023， 硕士

【摘要】 亚历克西斯-埃马纽埃尔·夏布里埃(法语:Alexis-Emmanuel Chabrier,1841年1月18日-1894年9月13日),法国浪漫主义作曲家。本文对其《幻想布列舞曲》进行音乐探究,从音乐本体的全面分析研究得出该作品中印象创作手法的运用及在特定时代与文化背景冲击下,这部大胆创新作品的诞生更突显了夏布里埃对钢琴音乐发展不可忽视的影响力。全文分为四个部分,第一部分概括夏布里埃钢琴作品风格及时代创作特征。第二部分从夏布里埃对印象派的影响及时代创作特征对《幻想布列舞曲》调式、调性及和声创作特征进行分析,得出该作品印象手法的运用以及对印象派作曲家的影响。第三部分对《幻想布列舞曲》音乐本体进行分析并从演奏者的角度探讨如何处理乐曲弹奏技术难点及踏板运用等方面的演奏问题。第四部分对收集到的音响资料进行对比分析得出不同法国演奏家对该乐曲的诠释,最后阐述个人对该乐曲的演奏感想。更多还原

【Abstract】 Alexis-Emmanuel Chabrier(French: Alexis-Emmanuel Chabrier,18 January1841 – 13 September 1894)was a French Romantic composer.This article will conduct a musical exploration of his Bourrée fantasque.From the comprehensive analysis and study of the music ontology,it is concluded that the use of impression creation techniques in this work,under the impact of a specific era and culture,the birth of this bold and innovative work highlights Chabrier’s influence on the development of piano music that cannot be ignored.The full text is divided into four parts.The first part summarizes the style of Chabrier’s piano works and the characteristics of the creation of the times.The second part analyzes the mode,tonality and harmony creation characteristics of Bourrée fantasque from the influence of Chabrier on Impressionism and the creation characteristics of the times,and concludes the use of impression techniques in this work and its influence on Impressionist composers.The third part analyzes the musical ontology of Bourrée fantasque and discusses how to deal with the difficulties,playing techniques and the use of pedals from the player’s point of view.In the fourth part,compare and analyze the collected sound data to get different French performers’ interpretations of the music,and finally explain my personal feelings about the music.更多还原