【作者】 王艳；

【导师】 王宏； 宋法刚；

【作者基本信息】 山东师范大学 ， 艺术硕士（专业学位）， 2023， 硕士

【摘要】 人文纪录片通过画面重现人们的生活、记录历史的变迁,在真实的基础上展现出强烈的人文精神,借以激发观众的人文意识。近些年来,人文纪录片从注重单方面人文价值的输出逐渐转向挖掘传授双方的人文情感,在情感互通的基础之上表达人文精神,使得人文纪录片的创作更具情感温度。情感认同视域下,人文纪录片的叙事仍然以人文精神表达为重点,但更重视人文纪录片内部的情感研究,强调观众对人文纪录片的情感认同,从情感入手挖掘人文纪录片的叙事策略。人文纪录片的内容传输通过叙事策略找到最合适的讲述方式,将叙事学相关理论引入人文纪录片的研究中,可以拓展研究范围,丰富人文纪录片创作的理论依据。情感认同下的叙事研究更加具有针对性,从情感内部展开对人文纪录片叙事层面的分析,对人文纪录片的叙事进行情感研究,找寻创作新角度。通过平民化、微观化、生活化的叙事视角,记录日常感人瞬间,经由屏幕建立创作者与接受者之间的情感共鸣。该研究运用了文献研究法、案列分析法等研究方法探寻目前人文纪录片的研究方向,基于情感认同与叙事学的相关理论,结合笔者创作的人文纪录片《一画一世界》对该研究不断修正完善,并在叙事内容、叙事技巧和叙事语言方面展开相关研究。第一章是概念界定及其理论基础,首先明确人文纪录片和情感认同的相关概念,确定研究的核心内容;其次叙事学和共情理论为情感认同视域下的叙事策略研究奠定了理论基础。第二章是人文纪录片的情感分析研究,从人文纪录片的价值意义、创作者的情感表达和观众的情感共鸣三个层面展开研究,总结人文纪录片在情感层面的研究价值并概括出不同主体的情感倾向。第三章分析情感认同视域下人文纪录片的叙事内容,在情感加持下人文纪录片的题材愈发贴近现实生活,主题追求真实动人、人物也成为情感的载体。第四章分析情感认同视域下人文纪录片的叙事技巧,平民化的叙事视角、充满情感的细节呈现、完整统一的时空配合、丰富多样的叙事结构,都是人文纪录片在情感叙事中不可缺少的方法。第五章分析情感认同视域下人文纪录片的叙事语言,从影像、声音、节奏入手,借助影像构建认同感受、通过声音营造抒情氛围,利用节奏把控情感起伏,进而总结在情感视域下的视听特色。通过以上研究,分析情感认同在人文纪录片叙事中的运用,探寻叙事策略如何引发观众的情感认同。从情感入手拓展人文纪录片的叙事角度,使人文纪录片转向对内部情感的分析。以当下优秀的人文纪录片为范本,根据情感认同理论和叙事学相关理论,从叙事内容、叙事技巧、视听呈现等多角度、多层次地探讨情感认同在人文纪录片中的融合发展,将情感叙事理论与影片范本相结合,在实践创作中进行检验,修正总结实践结果,为人文纪录片叙事策略的发展开辟新的范围和领域。更多还原

【Abstract】 Humanities documentaries reproduce people’s lives and record historical changes through images,showcasing a strong humanistic spirit on a real basis,in order to stimulate the audience’s humanistic consciousness.In recent years,humanistic documentaries have gradually shifted from emphasizing the output of unilateral humanistic values to exploring and imparting humanistic emotions between both parties,expressing humanistic spirit on the basis of emotional exchange,making the creation of humanistic documentaries more emotional.From the perspective of emotional identity,the narrative of humanistic documentaries still focuses on the expression of humanistic spirit,but places more emphasis on emotional research within humanistic documentaries,emphasizing the audience’s emotional identification with humanistic documentaries,and exploring narrative strategies from an emotional perspective.The content transmission of humanistic documentaries is achieved through narrative strategies to find the most suitable narrative method.Introducing narrative theory into the research of humanistic documentaries can expand the research scope and enrich the theoretical basis for humanistic documentary creation.The narrative research under emotional identity is more targeted,analyzing the narrative level of humanistic documentaries from the perspective of emotions,conducting emotional research on the narrative of humanistic documentaries,and seeking new creative perspectives.Through a civilian,micro,and everyday narrative perspective,record daily touching moments and establish emotional resonance between creators and receivers through the screen.This study uses literature research methods,case analysis methods,and other research methods to explore the current research direction of humanities documentaries.Based on the relevant theories of emotional identity and narratology,and combined with the author’s humanities documentary "One Picture,One World",the study is continuously revised and improved,and related research is carried out in terms of narrative content,narrative techniques,and narrative language.The first chapter is the definition of concepts and their theoretical basis.Firstly,it clarifies the relevant concepts of humanistic documentaries and emotional identity,and determines the core content of the research;Secondly,narratology and empathy theory have laid the theoretical foundation for the study of narrative strategies from the perspective of emotional identity.The second chapter is the emotional analysis research of humanistic documentaries,which conducts research from three levels: the value and significance of humanistic documentaries,the emotional expression of creators,and the emotional resonance of audiences.It summarizes the research value of humanistic documentaries at the emotional level and summarizes the emotional tendencies of different subjects.The third chapter analyzes the narrative content of humanistic documentaries from the perspective of emotional identity.With the support of emotions,the themes of humanistic documentaries are increasingly close to real life,with the pursuit of authenticity and moving themes,and characters becoming carriers of emotions.The fourth chapter analyzes the narrative techniques of humanistic documentaries from the perspective of emotional identity.The civilian narrative perspective,emotional presentation of details,complete and unified temporal and spatial coordination,and rich and diverse narrative structures are all indispensable methods for humanistic documentaries in emotional narrative.Chapter 5 analyzes the narrative language of humanistic documentaries from the perspective of emotional identity.Starting with images,sounds,and rhythms,the narrative language constructs a sense of identity through images,creates a lyrical atmosphere through sounds,controls emotional fluctuations through rhythms,and summarizes the audio-visual characteristics within the emotional perspective.Through the above research,analyze the application of emotional identity in the narrative of humanities documentaries,and explore how narrative strategies can trigger audience emotional identity.Expand the narrative perspective of humanities documentaries from an emotional perspective,and shift them towards analyzing internal emotions.Taking excellent humanistic documentaries as a model,based on the theories of emotional identity and narratology,this thesis explores the integration and development of emotional identity in humanistic documentaries from multiple perspectives and levels,including narrative content,narrative techniques,and audio-visual presentation.The emotional narrative theory is combined with the film model,and tested in practical creation to revise and summarize practical results,Opening up new scope and fields for the development of narrative strategies in humanities documentaries.更多还原