【作者】 李丹；

【导师】 莫海斌；

【作者基本信息】 暨南大学 ， 中国现当代文学， 2022， 硕士

【摘要】 本论文认为刘醒龙小说的空间问题与作家创作阶段的变化相同步,从内容层面的空间来看,作者在小说中先后建构了三种空间形态——想象的自然空间、杂糅的社会空间和多样的历史空间,它们反映了刘醒龙不同时期的思想、情感变化。在经历了自然空间中对“人性之根”的迷茫追寻后,作家回到了社会现实空间,将情感放在“乡村一侧”,以乡土之子的身份书写大别山的故事。继而,刘醒龙并没有停留在社会空间中,而是在之后的创作中,深入历史世界,在小说中建构了多样的历史空间,叙述了自己对历史的不同理解。从表达层面的空间来考察,刘醒龙的小说主要从叙事视角、时空组合方式和空间结构三个方面来建构文本内容层面的空间,实现空间叙事的目的。刘醒龙对零聚焦、内聚焦和外聚焦三种叙事视角的混用使得作者在小说中建构了一个完备的大别山空间,与此同时,借助小说中人物的视角表达自己的情感倾向和价值判断,以“温情”的方式完成小说空间的建构。在时间和空间的组合上,刘醒龙受传统小说的影响追求时空一体化,将时间与空间的动态发展和静态变化相融合,增强了文本的真实感和小说的空间感。圆圈式和中国套盒式两种空间结构既打破小说的线性结构,也便利小说主题的表达和文本空间的切换。小说内容层面的空间和表达层面的空间都反映出了刘醒龙乡土小说的叙事立场,作家始终以乡土之子的身份书写大别山空间,在面对乡土社会的现代化进程时,作家本人也曾有过矛盾的心态,但最后以保守的姿态回到乡土的怀抱,将乡土作为心灵和肉体的栖息地。对乡土世界的深切体认使得作家以基层视点书写乡土,对乡土社会中的人和事都报以宽容温和的态度。与此同时,刘醒龙始终秉持着现实主义的精神,对社会现实问题尽可能客观的呈现,同时也不忘追随文学新潮的脚步,探索自己小说的创作方向。更多还原

【Abstract】 This paper thinks the problem of novel space and the change of the writer,from the perspective of the content level,the author in the novel has constructed three forms of space form —— imagine natural space,mix of social space and a variety of historical space,they reflect the liu thought and emotional change in different periods.After experiencing the confused pursuit of the "root of human nature" in the natural space,the writer returned to the social reality space,put his feelings on the "rural side",and wrote the story of the Dabie Mountains as the son of the countryside.Then,Liu Xinglong did not stay in the social space,but in the later creation,he went deep into the historical world,constructed various historical Spaces in the novel,and narrated his different understandings of history.From the space of expression level,Liu Xinglong’s novels mainly construct the space of text content level from three aspects: narrative perspective,space-time combination mode and spatial structure,so as to realize the purpose of spatial narrative.Liu Xinglong’s combination of the three narrative perspectives of zero focus,internal focus and external focus makes the author construct a complete Dabie Mountain space in the novel.At the same time,he expresses his emotional tendency and value judgment from the perspective of the characters in the novel,and completes the construction of the novel space in the way of "warmth".In the combination of time and space,Liu Xinglong is influenced by traditional novels to pursue the integration of time and space,integrating the dynamic development and static changes of time and space,and enhancing the sense of reality of the text and the sense of space of the novel.The two spatial structures of circular type and Chinese set box not only break the linear structure of the novel,but also facilitate the expression of the novel theme and the switching of the text space.Novel content level of space and expression level reflects the Liu Xinglong local novel narrative position,the writer always as the son of the native writing dabie mountain space,in the face of the modernization process of rural society,the writer also had a contradictory mentality,but finally with the conservative attitude back to the embrace of the native,local as the mind and physical habitat.The deep understanding of the local world makes the writers write about the countryside at the grass-roots perspective,and have a tolerant and gentle attitude towards the people and things in the local society.At the same time,Liu Xinglong always adheres to the spirit of realism,presents the social reality problems as objectively as possible,and at the same time,he does not forget to follow the footsteps of the trendy literature and explore the creation direction of his own novels.更多还原