【作者】 杨洋；

【导师】 龙红；

【作者基本信息】 重庆大学 ， 美术学， 2022， 硕士

【摘要】 苏轼和黄庭坚同为我国宋代著名文学家、诗人、书法家,世称“苏黄”,是宋“尚意”书风的扛大旗者,又都与巴蜀有不可分割的联系。苏轼,四川眉山人;黄庭坚,绍圣元年因简牍得罪,被贬涪州别驾,黔州安置。元符元年为避亲嫌,又迁移至戎州,靖国元年蒙赦东归,在巴蜀谪居六年之久。苏轼与黄庭坚乃是师友关系,元祐年间同在京中任职,交游唱酬频繁,黄庭坚拜入苏轼门下成为“苏门四学士”之一,从苏轼学习书法,黄庭坚书法在一定程度上受苏轼影响很大。对比苏黄书迹,特别是元丰至元祐年间的书迹,是二人书风最为接近时段,在书法和审美追求上都有很多共同之处,是能够形成苏黄书风的重要条件。巴蜀地区历史悠久,文化底蕴深厚,拥有非常丰富的书法文化遗产,精品力作迭出。通过对巴蜀地区书法材料的广泛收集与整理,我们不难发现苏黄书风与巴蜀书法发展之间颇为丰富而微妙的联系。本文从以下四个部分阐述论证苏黄书风对巴蜀地区书法的影响:第一,苏黄书风在巴蜀产生影响的条件。一是苏黄能够对巴蜀书法产生影响的条件,包括苏黄书风形成及苏黄与巴蜀的关系梳理;二是巴蜀接受苏黄影响的社会环境、文化积淀和书法储备条件。第二,对苏黄在巴蜀的行迹和交游情况进行梳理。交游是文人进行文化活动的重要方式,苏黄作为宋代名士,其交游活动中产生的诗词、书法等,对巴蜀地区的文化发展至关重要。第三,苏黄书风对巴蜀地区书法的直接影响。通过搜集巴蜀地区书法资料中与苏黄书风相关者,按照时间先后维度进行整理,比较明确地总结出巴蜀各个时代对苏黄书风的接受情况。第四,苏黄书学思想影响巴蜀书法发展的观念形态,即学养观、创作观、鉴赏观。苏黄既是书法家也是书法理论家,其书学思想不仅对苏黄二人所在的当时,而且更是对其后近千年的巴蜀书法艺术发展产生了深刻影响。苏黄与巴蜀的特殊关系奠定了其对巴蜀书法产生深远影响的基础,苏黄书风对巴蜀书法发展的影响形成了一定的规模状态,而且承传有序,绵延不断,很大程度上已经显示成为巴蜀书法史上较为重要的一种书法风尚。更多还原

【Abstract】 Su Shi and Huang Tingjian are both famous writers,poets and calligraphers in the Song Dynasty of China.They are known as “Su Huang” and carry the banners of the“Shangyi” calligraphy style of the Song Dynasty.They are all inextricably related to Bashu.Su Shi,a native of Meishan,Sichuan Province;Huang Tingjian was convicted in the first year of Shaosheng,demoted to Fuzhou,and resettled in Qianzhou.In the first year of Yuanfu,he moved to Rongzhou to avoid suspicion of his relatives.He was pardoned in the first year of Jingguo and stayed in Bashu for six years.Su Shi is both a teacher and a friend of Huang Tingjian.During the Yuanyou years,they both worked in the capital and had frequent exchanges.Huang Tingjian became one of the "Four Scholars of Su Sect",and learned calligraphy from Su Shi.To a certain extent,Huang Tingjian’s calligraphy was greatly influenced by Su Shi.Comparing Su Huang’s calligraphy,especially the calligraphy from Yuanfeng to Yuanyou years,is the closest period of the two’s calligraphy style.They have a lot in common in calligraphy pursuit and aesthetics,which is an important condition for the formation of Su Huang’s calligraphy style.The Bashu area has a long history and profound cultural heritage.It has a very rich cultural heritage of calligraphy,and there are many excellent works.Through the extensive collection and arrangement of calligraphy materials in the Bashu area,it is not difficult to find a rich and subtle connection between the style of Su Huang’s calligraphy and the development of Bashu calligraphy.This paper expounds and demonstrates the influence of Su Huang’s calligraphy style on calligraphy in the Bashu area from four parts:First,the conditions for the influence of Su Huang’s writing style in Bashu.The first is the conditions for Su Huang to have an influence on Bashu calligraphy,including the formation of Su Huang’s calligraphy style and the relationship between Su Huang and Bashu;the second is the social environment,cultural accumulation,and calligraphy reserve conditions for Bashu to accept Su Huang’s influence.Second,to sort out Su Huang’s travels and friendships in Bashu.Friendship is a relatively direct way to have an impact.As a celebrity in the Song Dynasty,Su Huang’s poetry and calligraphy produced in his social activities are very important to the cultural development of the Bashu region.Third,the direct influence of Su Huang’s calligraphy style on calligraphy in the Bashu area.By collecting the calligraphy materials in the Bashu area related to Su Huang’s calligraphy style,and sorting them out according to the chronological dimension,the acceptance of Su Huang’s calligraphy style in each era is more clearly summarized.Fourth,Su Huang’s calligraphy thought affects the ideology of the development of Bashu’s calligraphy,that is,the concept of learning and cultivation,the concept of creation,and the concept of appreciation.Su Huang is both a calligrapher and a calligraphy theorist,and his calligraphy ideas have had a profound impact not only on the time when Su Huang was there,but also on the development of the Bashu calligraphy art in the next thousand years.The special relationship between Su Huang and Bashu has laid the foundation for his profound influence on Bashu calligraphy.The influence of Su Huang’s calligraphy on the development of Bashu calligraphy has formed a certain scale,and the inheritance is orderly and continuous,which has been shown to a large extent.An important calligraphy style in the history of Bashu calligraphy.更多还原