【作者】 罗丹；

【导师】 彭肜；

【作者基本信息】 四川大学 ， 艺术学理论， 2021， 硕士

【摘要】 智能信息时代下艺术与科技的结合越来越深,如今程序软件和人工智能已经可以代替人进行艺术创作,且创作过程完全排除了人和身体的参与,但目前来看其创作仍有无法突破的局限,也造成了身体的迷失。在此语境之下,中国艺术家回返到传统水墨艺术,从当代出发跳脱传统水墨艺术框架,联系数字技术为水墨注入时代特性,试图以水墨的写意性和在水墨艺术创作中不可或缺的身体,强调数字艺术创作中必须具有的身体意识。由此,本文以中国当代数字水墨艺术为研究对象,通过西方身体转向后的理论观点,联系中国传统身体美学,得出在创作中和观看时具有身体意识的重要性。本文首先从艺术创作中的身体表征出发,联系观者与他人、作品、场景之间的交互性,引出身体在不同状态下的不同观看机制,指出数字水墨艺术与智能赛博空间制造的让人迷失的景观不同,赛博空间将人引向虚无缥缈的未来,而数字水墨艺术家通过对自身和观者身体的回返,让人的目光回到现实。更多还原

【Abstract】 The combination of art and technology in the age of intelligent information is getting deeper and deeper.Nowadays,program software and artificial intelligence can replace people to create art,and the creation process completely excludes the participation of body,but at present,its creation still has limitations that cannot be broken through.In this context,Chinese artists return to traditional ink art,jump out of the traditional ink art framework from the contemporary perspective,link digital technology to infuse ink with the characteristics of the times,and attempt to emphasize the body consciousness that must be present in digital art creation by using the realistic nature of ink and the body that is indispensable in ink art creation.Therefore,this paper focus on Chinese contemporary digital ink art,with the theory of body in western and chinese,emphasize the presence of body in art creation and seeing.For this art,viewers must be present and in a state of motion to fully understand the work.Secondly,artists emphasizes the interaction between the viewer and the work,between the viewer and the artist,and between the scene.Finally,digital ink art points out that digital ink art is different from the disorienting landscape created by intelligent cyberspace,which leads people to a nebulous future,while digital ink artists bring the gaze back to reality by returning to the body.更多还原