【作者】 李萌；

【导师】 丁放；

【作者基本信息】 安徽大学 ， 中国古代文学， 2022， 硕士

【摘要】 本文围绕清代闺秀诗话进行研究,论文由绪论、正文和附录三方面组成。绪论部分,简要概括过往对于清代闺秀诗话的研究状况,选题的研究和意义及对研究方法作出必要说明。第一章总述清代闺秀诗话的发展概况和产生原因。以蒋寅《清诗话考》中著录的诗话为主要研究对象,对清闺秀诗话的总体发展状况作出评述,并从社会背景和个人动机两方面详细阐述清代闺秀诗话繁荣的成因。第二章探讨清闺秀诗话的特征。从总体特征和体例特征两方面进行分析。清闺秀诗话总体上呈现数量规模大、涉及区域广、收录人数多的特点,在体例方面则大体仿照前人诗话格式,在此基础上有所发展创新。第三章考察清闺秀诗话的辑录标准。从德行和才华两个视角入手,着重论述有清一代对于女子才德品行的看重,将才华和品德视作品评女子的主要标准和手段。女子的品德高尚不只在其性情温顺人品善良,还在其是否忠贞节烈,孝顺父母。另外,精通诗词,书画兼修固然可以作为才女被辑录在册,但在其他方面有所专长也同样可以成为被赞美的对象。第四章论述清闺秀诗话中的女性观。女性观念初醒,不满于长期以来男权社会的压迫,强烈的立言意识要求她们留下自己的声音,这点也在诗话中有所展现,第五、六章侧重于研究清闺秀诗话的题材内容和审美倾向。闺秀诗话的题材大抵可分为闺中日常、唱和交游和人生遭际三类。选者的审美倾向也不外乎清丽秀美、雄浑壮阔、温柔敦厚、超逸浑然四类。总体来说,清闺秀诗话无论是在内容还是在思想层面都没有摆脱女性创作的窠臼,流于平庸和普通,但有清一代女子作品数量的提升和创作景象的繁荣,仍然让这一时期的女性文学创作在文学史上显得格外突出和重要,这也正是我们研究的意义所在。更多还原

【Abstract】 This paper focuses on the study of young lady poetry in the Qing Dynasty.The paper is composed of introduction,body and appendix.The introduction briefly summarizes the past research status of girly poetry in the Qing Dynasty,the research and significance of the topic,and makes necessary explanations for the research methods.The first chapter summarizes the general situation and causes of the development of boudoir poetry in the Qing Dynasty.Taking the poetic remarks verified in Jiang Yin’s textual research on the poetic remarks of the Qing Dynasty" as an example,this paper comments on the overall development of the poetic remarks of the Qing Dynasty,and expounds in detail the causes of the prosperity of the poetic remarks of the Qing Dynasty from the two aspects of social background and personal specific motivation.The second chapter discusses the characteristics of Qing girlfriends’ poetry.It is analyzed from two aspects:overall characteristics and style characteristics.On the whole,the poetry talk of young ladies in the Qing Dynasty is characterized by large quantity,large scale,wide area and large number of people.In terms of style,it generally imitates the format of previous poetry talk,and has developed and innovated on this basis.The third chapter investigates the compilation standard of the poetry of the Qing girls.Starting from the two aspects of virtue and talent,this paper focuses on the Qing Dynasty’s emphasis on women’s talent and moral character,and regards it as the main standard and means of evaluating women’s works.A woman’s noble character lies not only in her docile temperament and good character,but also in her loyalty and filial piety to her parents.Proficient in poetry,calligraphy and painting can be recorded as a talented woman,but expertise in other aspects can also be used as a measure.The fourth chapter discusses the view of women in the poetry of the young ladies of the Qing Dynasty.Women’s ideas are beginning to wake up,dissatisfied with the oppression of the patriarchal society for a long time,and their strong sense of voice requires them to leave their own voice,which is also reflected in poetry,The fifth and sixth chapters focus on the theme,content and aesthetic tendency of the poetry of the young ladies of the Qing Dynasty.Through the analysis of women’s poems and comments,the theme content of girl poetry can be divided into three categories:daily life in the boudoir,singing and making friends and life experiences.The aesthetic tendencies of the candidates are no more than four categories:pure and beautiful,vigorous and magnificent,gentle and sincere,detached and natural.更多还原