【作者】 王慧；

【导师】 康建强；

【作者基本信息】 长春理工大学 ， 中国语言文学， 2022， 硕士

【摘要】 母题作为持续性的文化符号,是人类集体意识反映现实生活的审美结晶。中国的狐女母题书写渊源有自,在叙事文学领域,《聊斋志异》表现出高度集成的特征。本文以《聊斋志异》的狐女母题书写为研究对象,基于母题理论与文本的实际表现,运用阐释学、美学与解构主义,对其进行系统与深度阐释。本文共分为六个部分。第一部分,绪论。在文献系统梳理的基础上,对《聊斋志异》狐女母题书写的研究历史作简要总结,并厘清其研究现状,进而确定此研究的核心要义所在。第二部分,母题与狐女母题。母题的概念,众说纷纭。首先集合众说,对母题的概念与意涵作基本界定,确定本文的理论基础。在此前提下,进一步对狐女母题的概念与意涵进行界定,并结合中国古代叙事文学领域内的狐女母题书写作简要阐释。第三部分,《聊斋志异》狐女母题书写的类型。立足《聊斋志异》书写狐女母题的实际表现,其类型大体可以分为邂逅相恋型、投桃报李型、双美伴男型、追求自由型四种。并结合具体文本,对四种书写类型的亚类型表现、模式、特征以及意涵进行深入阐释。第四部分,《聊斋志异》狐女母题的书写思维与方式。蒲松龄以对立统一的书写思维与方式叙述故事构建情节。具体表现为个体情爱理想与封建礼教束缚的对立书写、个体情欲之爱与深刻知己之爱的交错书写、生命价值实现与社会环境制约的矛盾书写,并借此沉潜了深刻的文本意涵。本部分结合具体文本,对此进行深入阐释。第五部分,《聊斋志异》狐女母题书写的审美功能。蒲松龄在书写狐女母题的过程中,通过塑造对立形象生发审美张力、情节环境描写增益审美质性、二元审美书写深化美学意涵。本部分通过具体文本的有效解构与深入分析,实现对《聊斋志异》狐女母题书写审美功能的深刻阐释。第六部分,《聊斋志异》狐女母题书写的成因。文学作品是作家主观世界与外在客观世界二元碰撞的审美结晶。蒲松龄自觉继承中国传统文化的影响,有效吸纳前人书写狐女故事的经验,基于自身人生经历,融入对社会现实与人性的审美判断,借狐女母题书写抒发情态宣泄孤愤。本部分结合蒲松龄所处的社会背景及个人生命状态,对其书写狐女母题的原因进行综合分析。简而言之,《聊斋志异》的狐女母题书写,是蒲松龄的现实生活状态与生命理想追求的综合审美表现,藉此不仅可以窥见蒲松龄的内在精神律动,亦可发明《聊斋志异》的创作码则。更多还原

【Abstract】 As a cultural symbol of continuity,the motif is an aesthetic crystallization of the collective consciousness of human beings reflecting real life.In the field of narrative literature,"Liaozhai Zhiyi" shows a high degree of integration.This paper takes the fox girl motif of "Liaozhai Zhiyi" as the research object,and systematically and deeply interprets it based on the motif theory and the actual performance of the text,using hermeneutics,aesthetics and deconstruction.This article is divided into six sections.Part I,introduction.On the basis of the systematic combing of literature,the research history written by the fox girl of "Liaozhai Zhiyi" is briefly summarized,and its research status is clarified,and the core essence of this research is determined.The second part,the motif and the fox girl motif.The concept of motifs is widely debated.First of all,the concept and meaning of the motif are basically defined,and the theoretical basis of this paper is determined.Under this premise,the concept and meaning of the fox girl motif are further defined,and the fox girl motif is briefly explained in combination with the fox girl motif in the field of ancient Chinese narrative literature.The third part,the type of fox female motif writing in "Liaozhai Zhiyi".Based on the actual performance of the fox female motif written in "Liaozhai Zhiyi",its types can be roughly divided into four types: encountering love type,peach repaying plum type,double beauty with male type,and pursuing freedom type.Combined with specific texts,the subtype representations,patterns,characteristics and meanings of the four writing types are explained in depth.The fourth part,the writing of the fox female motif writing thinking and way.Pu Songling narrates the story and constructs the plot in a unified way of writing.It is embodied in the antagonistic writing of individual love ideals and feudal etiquette,the intertwined writing of individual lust love and the love of profound confidants,the contradiction between the realization of life value and the constraints of social environment,and thus sinks into the profound textual meaning.This section explains this in depth in conjunction with specific texts.The fifth part,the aesthetic function of the fox girl motif writing in "Liaozhai Zhiyi".In the process of writing the fox girl motif,Pu Songling deepens the aesthetic meaning by creating opposing images to generate aesthetic tension,the description of the plot environment to increase aesthetic quality,and the dual aesthetic writing.Through the effective deconstruction and in-depth analysis of specific texts,this part realizes a profound interpretation of the aesthetic function of the fox female motif writing in "Liaozhai Zhiyi".The sixth part,the cause of the writing of the fox girl’s motif in "Liaozhai Zhiyi".Literary works are the aesthetic crystallization of the binary collision between the subjective world and the external objective world of the writer.Pu Songling consciously inherits the influence of traditional Chinese culture,effectively absorbs the experience of her predecessors in writing fox girl stories,based on her own life experience,integrates into the aesthetic judgment of social reality and human nature,and uses the fox girl motif to write to express her emotions and vent her anger.This part combines Pu Songling’s social background and personal life state,and comprehensively analyzes the reasons for writing the fox girl motif.In short,the fox girl motif writing of "Liaozhai Zhiyi" is a comprehensive aesthetic expression of Pu Songling’s real life state and the pursuit of life ideals,so as not only to glimpse Pu Songling’s inner spiritual rhythm,but also to invent the creative code of "Liaozhai Zhiyi".更多还原